The inaugural Asian Festival of Children’s Content is set to take place May 6-9 in Singapore, and word is quickly spreading that this is a not-to-be-missed event!   The National Book Development Council of Singapore, which has been organizing the highly successful Asian Children’s Writers &  Illustrators Conference (ACWIC) for the past 10 years, has decided to take a slightly new approach this year by combining it with three new symposiums to form the Asian Festival of Children’s Content.  Jade Yong, Marketing Director for the festival tells us:

Writers, illustrators, school teachers, publishers, librarians, literary agents, distributors and retailers, translators, technology solution providers and other media professionals related to the world of children’s content will find this to be a  learning event that they cannot afford to miss. We are expecting about 300 to 400 delegates from all over Asia, Australia, New Zealand, North  America and Europe to attend the event.

Over 70 speakers will be at the festival, and some familiar names to PaperTigers’ readers include: Holly Thompson (Japan), Daphne Lee (Malaysia), Rukhsana Khan (Canada), Naomi Kojima (Japan), Uma Krishnaswami (USA), and  Christopher Cheng (Australia). Since, unfortunately, no one from PaperTigers will be able to attend the festival this year, we look forward to hearing from those of you attending! If you send us feedback, we will be happy to share your impressions, discoveries and/or photos with our readers.

The schedule for the festival has been released and  is as  follows:

Asian Children’s Writers & Illustrators Conference~ May 6-8, 2010

The Asian Children’s Writers and Illustrators Conference (ACWIC) will celebrate children’s books, provide access to children’s literature with Asian content, and promote the writing and publication of Asian children’s books. By providing great workshops and networking opportunities, this conference aims to actively promote and foster the exchange of ideas on the global market.

The conference is broken down into seven tracks:  New Media Technologies & Children’s Content, Alchemy of Writing, Illustrators’ Palette, Librarian’s Menu, Publishers’ Daily Bread, Marketing and Distribution—Creating Bestsellers, and ACWIC Highlights. The detailed scheduled is  here.

Asian Children’s Publishers Symposium~ May 8, 2010

The Asian Children’s Publishers Symposium (ACPS) will consist of workshops from leading players within the industry and interactive panel discussions led by professionals, all designed to foster knowledge, learning and strategies for building a successful children’s publishing industry.

Asian Primary & Preschool Teachers Congress~ May 8, 2010

The speakers and workshop leaders at the Asian Primary & Preschool Teachers Congress (APTC) will collectively provide an overview of comprehensive literacy instruction and showcase its best practices to educators, teachers and parents, to help bridge the gap between theory and practice.

Asian Parents Forum~ 9 May, 2010

Asian Parents Forum (APF) workshops will offer opportunities for parents and interested individuals to get professional advice, support and information on quality content, creative experience and potential, so that participants can become more confident and competent in promoting the reading habits and answering the learning needs of their children.

As you can see, the first Asian Festival of Children’s Content will cover all aspects and formats of children’s content inspired by and based on Asian sources. We encourage you to attend it, if you’re able and in the field. It should prove a wonderful opportunity for professional development and networking!

(Click on event name for more information)

African American History Month~ USA

National African American Read-in~  USA

Black History Month~ Canada

February Literacy Workshops for Parents, Teachers and Writers with Daphne Lee~ Petaling Jaya, Malaysia

National Storytelling Week~ ongoing until Feb 6, United Kingdom

Kolkata Book Fair~ ongoing until Feb 7, Kolkata, India

“Tea with Chachaji” A Musical Production based on Chachaji’s Cup by Uma Krishnaswami~ ongoing until Feb 11, New York, NY, USA

Stories from Childhood: Lin Hai-yin’s Children’s Literature Book Exhibition and Activity Series~ ongoing until Mar 1, Tainan City, Taiwan

2009 Bologna Illustrators Exhibition of Children’s Books~ ongoing until Mar 1, Seoul, Korea

Osborne Collection of Early Children’s Books Presents: Journey to Adventure~ ongoing until Mar 6, Toronto, ON, Canada

Entries Accepted for the Growing Up Asian in America Contest~ ongoing until Mar 10, San Francisco, CA, USA

The Making of the Word Witch: The Poetic & Illustrative Magic of Margaret Mahy & David Elliot~ ongoing until  Mar 14, Ashburton, New Zealand

21st Annual Children’s Book Illustrators Exhibit~ ongoing until Apr 3, Hayward, CA, USA

Mother Goose in an Air-Ship: McLoughlin Bros. 19th Century Children’s Books from the Liman Collection~ ongoing until Apr 18,  Amherst, MA, USA

Heart and Soul: Art from Coretta Scott King Award Books, 2006–2009~ ongoing until Apr 18, Chicago, IL, USA

From The Tiger Who Came to Tea to Mog and Pink Rabbit; A Judith Kerr Retrospective~ ongoing until May, Newcastle upon Tyne, United Kingdom

Leo Lee Arts Centre Presents Renowned Canadian Author Deb Ellis~ Feb 1 – 2, Hong Kong

Association of Jewish Libraries Presents the 2010 Sydney Taylor Book Award Blog Tour~ Feb 1 – 5

Book Signing Event with Paula Young Shelton author of Child of the Civil Rights Movement~ Feb 2, Washington, D.C., USA

Vancouver Children’s Literature Roundtable Presents Authorfest 2010~ Feb 2, Vancouver, BC, Canada

International Conference on Children’s Libraries – Building a Book Culture~ Feb 4 – 6, New Delhi, India

New York Public Library Exhibit: 2010 Caldecott Winner Jerry Pinkney’s African-American Journey to Freedom~ Feb 5 – Apr 18, New York City, NY, USA

SCBWI Workshop: Picture Books – The Perils, Pitfall and Promise~ Feb 6, Ventura, CA, USA

8th Annual Orion School Author and Illustrator Festival~ Feb 6, Redwood City, CA, USA

Imagine 2010: Children’s Literature Festival~ Feb 6 – Mar 2, London, United Kingdom

Seven Stories Presents Taffy Thomas, First Laureate for Storytelling~ Feb 6, Newcastle upon Tyne, United Kingdom

Words on Wheels~ Feb 12 – 17, New Zealand

Kids ♥ Authors Day~ Feb 14

First Nations Public Library Week~ Feb 15 – 20, Province of Ontario, Canada

SCBWI’s Annual Golden Gate Conference At Asilomar~ Feb 19 – 21, Pacific Grove, CA, USA

Freedom to Read Week~ Feb 21 – 27, Canada

Northern Ireland Booktrust Conference: The Gift of Books – Inspiring a Lifelong Love of Reading~ Feb 22, Antrim, Ireland

Exhibition of Joy Mallari’s Artwork From the Book Doll Eyes~ Feb 25, Makati City, Philippines

International Conference on Children’s Literature in Language Education~ Feb 25 – 27, Hildesheim, Germany

Latvian Book Fair~ Feb 25 – 28, Riga, Latvia

Hubbs Children’s Literature Conference~ Feb 27, Saint Paul, MN, USA

Joy Cowley Writing Workshop: Writing from the Heart~ Feb 27 – 28, Auckland, New Zealand

Bath Literature Festival~ Feb 27 – Mar 7, Bath, United Kingdom

As soon as I spotted the Social Justice Challenge button dotted all over the blogosphere, I knew that I would have to come up with some very good arguments not to take it on… so you will now find said button in our side-bar and here is my first post as an Activist for this month. If you haven’t already, I really do recommend you read this post, which explains the workings of the Challenge much better than I ever could… I will just say that this is a Challenge to do, as well as to absorb…

Launching January’s theme of Religious Freedom, which happens to run parallel to our own current theme of Respect for Religious Diversity, we are asked to answer a few questions:

What is the first thing that comes to your mind when you think of religious freedom?
Peace and harmony – when we all learn to respect the right of each individual to follow (or not) the religion of their choice without fear of persecution, the human race will come close to achieving them. And education also comes to mind – because children (and adults) need to find out about the different world faiths, and learn to value both the diversity and shared values that they have at their heart.

What knowledge do you have of present threats to religious freedom in our world today?
I have some awareness of religious intolerance across the world – but I’m not going to go into it here…

Have you chosen a book or resource to read for this month?
With my sons, I’m going to read Many Windows: Six Kids, Five Faiths, One Community by Rukhsana Khan with Elisa Carbone and Uma Krishnaswami (Napoleon, 2008) and The Grand Mosque of Paris: A Story of How Muslims Rescued Jews During the Holocaust by Karen Gray Ruelle and Deborah Durland DeSaix (Holiday House, 2009), both of which I have already read… I haven’t chosen something new for myself yet… if I hadn’t recently read Wanting Mor (also by Rukhsana) , I would choose that…

Why does religious freedom matter to you?
It is a human right.

(Click on event name for more information)

Summer Reading Club: Read on the Wild Side~ ongoing until Jan 31, 2010, Australia

Golden Legacy: Original Art from 65 Years of Golden Books Featuring Artwork from Iconic Children’s Books~ ongoing until Feb 28,  Amherst, MA, USA

2009 Bologna Illustrators Exhibition of Children’s Books~ ongoing until Mar 1, Seoul, Korea

Osborne Collection of Early Children’s Books Presents: Journey to Adventure~ ongoing until Mar 6, Toronto, ON, Canada

The Making of the Word Witch: The Poetic & Illustrative Magic of Margaret Mahy & David Elliot~ ongoing until  Mar 14, Ashburton, New Zealand

Mother Goose in an Air-Ship: McLoughlin Bros. 19th Century Children’s Books from the Liman Collection~ ongoing until Apr 18,  Amherst, MA, USA

Heart and Soul: Art from Coretta Scott King Award Books, 2006–2009~ ongoing until Apr 18, Chicago, IL, USA

From The Tiger Who Came to Tea to Mog and Pink Rabbit; A Judith Kerr Retrospective~ ongoing until May, Newcastle upon Tyne, United Kingdom

2009 Cybils (the Children’s and Young Adult Bloggers’ Literary Awards) Finalists Announced~ Jan 1

Launch of the 5th Romeo Forbes Children’s Story Writing Competition~ Jan 4, Philippines

Announcement of the National Ambassador for Young People’s Literature~ Jan 5, USA

Costa Book Awards Winners Announced (formerly the Whitbread Literary Awards)~ Jan 5, London, United Kingdom

Canadian Literature Centre Presents Brown Bag Lunch with Award Winning Poet, Author and Cultural Worker Afua Cooper~ Jan 13, Edmonton, AB, Canada

8th Annual Hawaii International Conference on Arts and Humanities~ Jan 13 – 16, Honolulu, HI, USA

21st Annual Children’s Book Illustrators Exhibit~ Jan 13 – Apr 3, Hayward, CA, USA

American Library Association (ALA) Midwinter Meeting~ Jan 15 – 19, Boston, MA, USA

Storytelling by Winners of the First Time Writers & Illustrators Publishing Initiative 2009~ Jan 16, Singapore

The Eric Carle Museum of Picture Book Art Presents: The Wonder of Words, The Power of Pictures~ Jan 17, Amherst, MA, USA

ALA’s Youth Media Awards Presentations~ Jan 18, Boston, MA, USA

Jaipur Literature Festival~ Jan 21 – 25, Jaipur, India

Book Reading and Signing with Uma Krishnaswami author of Chachaji’s Cup~ Jan 22, New York, NY, USA

ZORA! Neale Hurston Festival of the Arts and Humanities~ Jan 23 – 31, Eatonville, FL, USA

No Name-Calling Week~ Jan 25 – 29, USA

“Tea with Chachaji” A Musical Production based on Chachaji’s Cup by Uma Krishnaswami~ Jan 25 – Feb 11, New York, NY, USA

Yabun 2010: Celebrating Aboriginal & Torres Strait Islander Cultures~ Jan 26, Sydney, Australia

Family Literacy Day~ Jan 27, Canada

CCBC Presents: ALA Award-Winning and Outstanding Books for K-5 (video can be watched on-line)~ Jan 27, Madison, WI, USA

Kolkata Book Fair~ Jan 27 – Feb 7, Kolkata, India

SCBWI Tokyo Presents: Cut to the Chase with Patrick Gannon: Discovering and Making Cut Paper Art and Illustration~ Jan 27, Tokyo, Japan

Galle Literary Festival~ Jan 28 – Feb 1, Galle, Sri Lanka

Hay Festival Cartagena de Indias~ Jan 28 – 31, Cartagena, Columbia

Children’s & Young Adults’ Book Fair~ Jan 29 – 31, Marousi, Greece

Society of Children’s Book Writers and Illustrators (SCBWI) Winter Conference~ Jan 29 – 31, New York, NY, USA

Winter Words Festival 2010~ Jan 29 – Feb 7, Pitlochry, United Kingdom

As we approach the end of one year and the beginning of the next, we tend to face two directions, reflecting on events past and looking forward to the future. The Roman god Janus comes to mind! In the past few months discussion about ethnic diversity in books has come to the fore, with a certain amount of scrutiny of the publishing world and what could be done to ensure that more books are made available by writers of color. If you haven’t already done so, take some time to read Laura Atkins’ paper on “white privilege in children’s publishing” from this summer’s IRSCL conference, as well as the many in-depth comments attached to it. It may have been written three months ago but these are issues that are not going to go away – yet!

Some writers have blogged about it more recently – Zetta Elliott (who also followed up on her post with an insightful interview of Laura, entitled From the Other Side: An Editor Speaks Out!) and Neesha Meminger have both contributed to what will no doubt be an on-going discussion. Uma Krishnaswami also commented on this (since withdrawn…) blogpost and these words really resonated with me:

there are some of us now who are trying to write beyond the boxes, beyond the simple classifications or the books that are *about* culture or race. In this time of economic stress it’s even more important to make sure we don’t slide back to old insularities!

I think we all need to make a New Year’s resolution that we won’t allow these issues to be conveniently side-tracked. On a recent visit to San Francisco I came away laden from several independent and second-hand bookshops with books that I have got to know through PaperTigers – but I found it very unsettling to say the least that in the large children’s section of an enormous chain bookshop I also visited, I could only find two books – two books!!! So there are not just issues of publishing to be contended with, but also marketing and distribution. And in these times of “economic stress” , we take our hats off to those publishers who are producing a consistently wonderful array of multicultural titles. We do need to keep the voices for diversity heard, written by a diversity of voices, which includes more writers of colour; and we need to ensure that readers from all backgrounds have access to a diverse range of reading material – because that is the only way that kids will be able to fit their own stitches into the vast multicultural tapestry of life.

Here is a trio of great links from the past week around the Kidlitosphere:

7-Imp met up with Yuyi Morales over desayuno this week…

Cynsations has a guest post from author/illustrator Elizabeth O. Dulemba about Writing Bilingual Books…

Uma Krishnaswami has a commentary on racial stereotyping over at Writing with a Broken Tusk, following up on an article by Binyavanga Wainaina, ‘a wonderfully funny satirical piece in Granta magazine called “How to Write About Africa”‘, from which she quotes, and a video of a presentation given by Nigerian author Chimamanda Adichie earlier this year, entitled “The danger of a single story”: well worth watching…

Hop on over to Writing with a Broken Tusk to see what author Rukhsana Khan had to tell Uma Krishnaswami in an interview about her new book Wanting Mor. Read a review of Wanting Mor in our recent update…

We have deeply enjoyed hosting the Tiger’s Choice, the PaperTigers’ online bookgroup, over the past year–it introduced us to a number of interesting books, a group of authors whom we hadn’t read before, and a collection of new friends from around the globe who joined in our discussions.

Nancy Farmer, Uma Krishnaswami, Ken Mochizuki, Minfong Ho, Jane Vejjajiva, Julia Alvarez, John Boyne,  Katia Novet Saint-Lot are all authors whom we plan to return to again and again for reading that expands our cultural horizons. As their body of work increases, the Tiger’s Bookshelf will be there–to read, to praise, to cheer them on.

We will however be doing this in another form rather than through the Tiger’s Choice. As exciting and rewarding as it has been to explore books through this avenue, we have new plans for the Tiger’s Bookshelf that do not include our bookgroup. We thank all of you who have read this portion of our blog, and who have joined in the discussions, and hope that you will continue to be part of the ongoing conversation that will take place on the PaperTigers Blog, and through the Tiger’s Bookshelf!

PaperTigers: Your life has been a tapestry of living in many cultures—in France, Spain, England, the United States, Nigeria, India. How has this helped you as a writer?

Katia: This is an interesting question. How does life in general help and/or affect us as writers? I would say every experience shapes us, and what we are shows up inevitably in what we write. I could not have written Amadi’s story if I had not lived in Nigeria. On the other hand, it must be said that a life spent traveling or living in vastly different countries (even if I also find similarities from one to another) has made me slightly jaded. I’m so used to witnessing diverse ways of living, eating, dressing, even driving a car on the road (!) that it takes more and more to surprise me. I notice that particularly when we have guests. Some of the things that amaze them, I have come to view as part of my daily routine or panorama.

PaperTigers: It’s been said that writing a picture book is as demanding as writing a poem. Each word must be precise, the use of language must be economical, and the images evocative. Longer forms of fiction can be more forgiving. Why did you choose this difficult form for Amadi’s story? And would you choose it again?

Katia:I love the picture book format. I love the conversation between the art and the words on the page, how they are meant to complement each other. I think that writers who are also artists are very lucky to be able to experience this medium in its full beauty, and difficulty. Amadi came to me that way : it was a turning point in the life of a young boy, related to a particular instance, and something that needed to be resolved quickly. And yes, I have three other picture book manuscripts that I hope will find a home. Children love pictures. They love being able to suspend the flow of a story to examine an image, notice details, talk about the expression on the face of a character, the background, etc.

PaperTigers:As a mother of two girls, why did you decide to write about a boy? Is there a “real-life” Amadi? How did you manage to enter the heart and mind of a small “Igbo man of Nigeria” and give him such complete life on the page?

Katia:There is no “real-life” Amadi, but there are lots of boys just like him. The problem of these boys dropping out of school to earn quick money in the street is very real. As for entering the heart and mind of Amadi, I think it’s the reverse. Amadi entered my own mind and started telling me his story. I just had to write it down. (more…)

When we began to think about creating an online book group that would appeal to readers of all ages, there were classic titles that came quickly to mind. Finding books that corresponded to the PaperTigers’ goal of understanding different cultures through children’s literature was a challenge and an opportunity for exploring new reading adventures.

I was lucky. The first book I found on my initial foray into this new world of books that would appeal to both adults and children was one that immediately captured my heart and mind—Naming Maya by Uma Krishnaswami.

I’ve worked in bookstores for decades but this novel was one that I hadn’t encountered before. I was eager to hear other people’s opinions of it and to have the chance to talk about it, the way we readers always feel when we find a book that we love.

The comments for Naming Maya have been as rich and as thoughtful as I had hoped they would be. Readers have agreed that this is a book for mothers and daughters to read together, that it evokes India in a way that could describe Hyderabad as well as it does Chennai, and that the theme of dualism is expressed quite beautifully in the idea of the “Two-Gift.” As Maya herself concludes about trust, in an observation that applies to many things in this novel–and in life–”You keep some, you give some away.”

What makes this book one that I can return to with pleasure for reading over and over is, above all, the way that three very strong women of different generations are portrayed, Maya, Kamala Mami, and Maya’s mother. Together they make a household that is both temporary and enduring, and Uma Krishnaswami makes each of them enduring figures in the reader’s imagination. It is no small feat to be able to give life to characters of varying background and chronological age, but it is accomplished so well in Naming Maya.

Not only is Chennai vividly evoked in this book, but so is its culture and values. Uma Krishnaswami delicately and without editorializing shows through Maya’s eyes different ways of accepting marriage, of being a teenager, of growing old. And she so wonderfully shows how food can be a common language when living in a place where three different languages are routinely used and in all of them words sometimes fail.

“I hear you need a cook,” Kamala Mami announces to Maya and her mother, the day after their arrival in India. They do indeed, more than they know. Kamala Mami’s food brings them slowly together–right up until a dish made from her recipe crashes to the floor and releases Maya’s torrent of hitherto unspoken emotion.

The one complaint I have about this novel is that it hasn’t yet been released in a paperback edition, which would make it accessible to many more readers than it already is. When I recently told a fellow-bookseller about Naming Maya, his response was that far too few books address the subject of bi-cultural children, a point that both Aline and Katia touched upon in our discussion. Uma Krishnaswami has found a universality in belonging to two different worlds. Through her art Maya’s duality becomes a new way for readers of all ages to look at their own lives, and that is an act accomplished by literature that is truly great.

If you haven’t yet read this book, I envy you the joy of experiencing it for the first time. If you know a young girl with whom you can share it, I envy you even more. If you’ve read it already, discover the joy of reading it again–and add your opinion to mine in the comments field if you agree that it should be reissued in a paperback edition, please!