The name of Seven Stories not only refers to the axiom that there are but seven stories in the world told in an infinite variety of ways, but is also played out in the Centre’s daily life: it is housed in a seven storey building that is open seven days a week for a seven hours a day.

The late-nineteenth-century building was originally a mill warehouse. Many original features have been restored and the interior spaces have been designed with imagination and children in mind. The criss-cross of original beams in the top-floor room, beautiful to behold, also gives you a start, as you realise that there is a weird, curvy beam, winding its way through all the other beams – what structural use can it possibly be? Aaah – it is a bookshelf! And as it snakes its way down almost to floor-level, it houses enough copies of Julia Donaldson’s Playtime! for young visitors (and older ones too!) to come together and put on a play in the theatre corner, with the help of a sumptuous array of costumes. These include Donaldson’s and Axel Sheffler’s creation, the Gruffalo and the Mouse (and by the way, read this lovely interview with Julia Donaldson by Vulpis Libris – Part 1 and Part 2). Under this panoply of beams are also to be found a story-teller’s area complete with its exuberant throne, and a vast selection of books for a family storytime.

The current exhibitions are All Aboard, Away We Go! and From Toad Hall to Pooh Corner – both a feast for the eyes, ears and hands, and each with its own beautifully produced interactive trail. During our family visit, we chanted Mrs Armitage’s Mantra (“What we need, what we really need…”) and flew a plane while marvelling at Robert Crowther’s intricate paper-engineering from his book Flight. We discovered new-to-us old stories, like The Little Train, ostensibly by Dorothy Craigie but really written by Graham Greene and illustrated by Dorothy Glover (read this great post from Bear Alley for the full story…). We toot-tooted our way to (imaginary!) destruction in Toad’s car and, the highlight for me, we gazed on original’s of Robert Ingpen’s beautiful illustrations for Wind in the Willows, then looked at them in the book, while listening to the appropriate extract, seated in a replica, from the illustration, of Badger’s kitchen. Perfect!

I was astounded, when speaking to Lynda Jackson, Seven Stories’ Exhibitions Curator, to discover that these exhibitions are not permanent but usually run for about eighteen months – and the really good news is that they can tour elsewhere after their space in Newcastle has been taken over by something else… And I was given a sneak preview of what the next something else, From The Tiger Who Came to Tea to Mog and Pink Rabbit: A Judith Kerr Retrospective, will look like. So we’ll definitely be going back in September and I’ll tell you all about it!

In the meantime, I’ll be posting again soon about Seven Stories, with a closer look at its background and its role as a keeper of British children’s books, not to mention its superb children’s bookshop.

Aline and I have much to tell about our fantastic trip to the Bologna Children’s Book Fair at the beginning of this month. There really is no better event to take the pulse of the children’s book publishing world: and what a world that is!

We’ve met so many interesting people and enjoyed putting faces to names of organisations and publishers; we’ve attended inspiring presentations; and have been dazzled by the quality and endlessly varied styles of the illustrations we’ve come across, both in the books we have browsed through and as part of the fair’s special exhibits. The overall impression was of immense industry – people in deep discussion, buying and selling rights; looking through artists’ portfolios; rushing between presentations – what a buzz!

Over the next few weeks, Aline and I will be posting on a variety of topics. In the meantime, here are some of the highlights for us, in no particular order:

Looking at the proofs for Ed Young’s new book, Wabi Sabi (written by Mark Reibstein);
Meeting librarians from all over the world at a session organised by the IFLA (International Federation of Libraries Associations and Institutions) – so lively that we were asked to be quiet…! – and hearing IBBY President and Canadian Groundwood Books publisher, Patricia Aldana’s presentation entitled “Books as Mirrors”;
Attending the launch of the International Youth Library’s White Ravens 2008 catalog;
Listening to poets Michael Rosen (UK Children’s Laureate) and Jorge Lujan’s contributions to a panel titled “Poetry Break: Poetry in Children’s Books”;
Attending the award-presentation of the Bologna Raggazzi “New Horizons” Award to Chennai-based Tara Publishing, for the hand-made book The Nightlife of Trees, and watching how the book came into being;
Hearing illustrators Robert Ingpen and Paul O. Zelinsky talk about their contributions to the book Artist to Artist: 23 Major Illustrators Talk to Children About Their Art (the proceeds of which go to the Eric Carle Museum of Picture Book Art.)…

Well, I could just keep going – and I will. And so will Aline: so keep coming back as the full picture unfolds…