Orchards is Thompson’s debut novel for young adults and is written in verse. It tells the story of Kana Goldberg, a half-Jewish, half-Japanese American teenager who, after a classmate’s unexpected death, is sent to her family’s farm in Japan to reflect on her participation in the events that led up to the classmate’s suicide.

Orchards has been receiving rave reviews since its release this past Spring (read PaperTigers’ review here) and is included on the Young Adult Library Services Association (YALSA)  Best Fiction for Young Adults Nominations list.

Holly has been keeping extremely busy this year (click here to visit her blog) and has just returned from the Manila International Literary Festival where she presented three panel discussions:

“Writing for Young Adults” with author Perpi Alipon-Tiongson and publisher RayVi Sunico;

“The Many Forms of the Novel”, in which she spoke about writing in verse and read an excerpt from Orchards; and

“The Stranger Experience” on writing away from home, cross-cultural experiences, and the multi-faceted immigration experience, with Gemma Nemenzo and Pulitzer Prize winner Junot Diaz. The immigrant’s experience plays a vital role in Junot’s work and I have to share this amazing quote from him that I found on Tarie Sabido’s blog Asia in the Heart, World on the Mind:

“You guys know about vampires? … You know, vampires have no reflections in a mirror? There’s this idea that monsters don’t have reflections in a mirror. And what I’ve always thought isn’t that monsters don’t have reflections in a mirror. It’s that if you want to make a human being into a monster, deny them, at the cultural level, any reflection of themselves. And growing up, I felt like a monster in some ways. I didn’t see myself reflected at all. I was like, Yo, is something wrong with me? That the whole society seems to think that people like me don’t exist? And part of what inspired me, was this deep desire that before I died, I would make a couple of mirrors. That I would make some mirrors so that kids like me might see themselves reflected back and might not feel so monstrous for it.” — Junot Diaz

Tessa Strickland, Barefoot Books’ co-founder and editor-in-chief, answered our questions about Little Leap Forward: A Boy in Beijing, one of the seven books selected for inclusion in our Spirit of PaperTigers Book Set Donation Project, and about other topics related to the company and to multicultural children’s literature.

Q&A

PT: How did Little Leap Forward: A Boy in Beijing come about as a project for Barefoot Books?

TS: This project came about in quite a circuitous way. First, I was contacted by Clare Farrow, who wanted to know if I was interested in having her retell any traditional Chinese tales. In the course of our conversation, I learnt that she and her husband, Guo Yue, had just completed a manuscript about his life, Music, Food and Love. It so happened that this telephone conversation came about just as I was starting to cast around for stories for older readers, and I was fascinated by what Clare told me about Yue’s childhood in Beijing. So, I asked to read a copy of the manuscript.

PT: When you acquired the manuscript, did you know from the get go that you would publish it as an illustrated middle grade book, or was the decision regarding full plate illustrations made later in the process?

TS: When I read Music, Food and Love (Piatkus, 2006), I thought that the best way to tell Yue’s story to children would be to focus on the summer of 1966. The manuscript went through about four drafts and was a close collaboration between Yue and Clare, me, and an excellent editor, Anne Finnis. The decision to make full-plate illustrations was made once we had a manuscript that everyone was happy with.

PT: What can you tell us about the pairing of Guo Yue and Clare Farrow’s text with Helen Cann‘s art?

TS: We have done a number of books with Helen Cann; I knew that she would be a delight to work with. Not only is she very talented, she is also extremely interested in developing her own style and in working
collaboratively. She had some very fruitful meetings and discussions with Clare and Yue, who were both extremely happy with her illustrations.

PT: How do you think the public’s attitude toward multicultural books for children has changed since Barefoot Books was founded, in 1992? Are there any major differences between the US and the UK markets in that regard?

TS: As Barefoot has always focused on multicultural books, it is hard to say with very much claim to objectivity how the public attitude has changed. That said, there was a significant surge in demand after 9/11. Also, before we set up our own business in the US, we used to go on selling trips (this was in the 1990s) to New York and Boston, and it was quite surprising how ‘multicultural’ to the publishers we visited seemed to equal ‘African-American and Hispanic’ and not much beyond that. The challenge for a publisher with a multicultural focus, I think, is the same as that facing a publisher with any work of fiction: how to find a writer and an illustrator with a disctinctive voice, and with the ability to show their world to a reader/many readers from other worlds so well that a bridge is crossed, a new understanding offered.

PT:What would you say is the most challenging aspect of being an independent publisher of children’s books these days?

TS: Ah, they are too many to count! BUT, one of the great things about being independent in the digital world is that it offers us a way of reaching our customers far more effectively than we could when we were dependent on the traditional supply chain. We have always enjoyed robust support from the institutional market, but been regarded as too niche by high street chains. It is not insignificant that our fastest-growing account is Amazon; the beauty of the internet is that it gives customers a chance to find their way to content beyond the standard character-driven mass market offer. And we have great faith in the fact that there are other parents and teachers out there, just like us, who want to introduce their children to different traditions and cultures; to question and reflect; to imagine what it would be like if…

PT: As of a few years ago, Barefoot books can no longer be found in chain bookstores. How did this reality come about, and what has the impact of adopting a more grassroots approach to sales/distribution been on the business?

TS: We did not fare well with chain stores in the US for the reasons I have outlined above; our focus is on growing a grass-roots community with like-minded business partners and through our Ambassador Programme. This feels much more authentic, somehow; we struggled to get exposure through the chains, and we also struggled with a model that seemed to lack nuance—a scale-out in Borders, for instance, meant the same quantity of books going everywhere across the nation, with no attention to the varying demographics. One size doesn’t fit all, in our view.

PT: What are some of your bestselling titles?

TS: Internationally, Niamh Sharkey’s wonderful picture book The Giant Turnip has been and continues to be a star. So does Debbie Harter’s The Animal Boogie. Of our more explicitly multicultural books, Mama Panya’s Pancakes is exceptional and is a top seller on Amazon too – don’t ask me
why! We don’t publish for quick results, so while we are delighted when books get off to a roaring start, our focus is on content that will stand the test of time and do better year by year.

PT: What are your hopes for the future of Barefoot Books?

TS: After a year which has been devoted to revising our online offer and rebuilding our website, we are confident that we have laid the foundations for a business model which has the potential to grow
exponentially. In the medium term, we hope to exploit the potential for growth through social media and through an offer which enables anyone who likes what we do to sign up, and to buy and sell Barefoot at
attractive discounts, with no strings attached and no start-up costs. In the long term, our hope is that we will become a household name and a destination for anyone who is looking for high-quality art and story for the children in their lives.

PT: Anything else you’d like to add?

TS: We can only do what we do because we have a fabulous, incredibly hard-working and highly motivated team in-house and because we are lucky enough to have tremendous support from a diverse and exciting range of people in the wider world – thank you, everyone!

…

Many thanks, Tessa, for taking the time to answer our questions. We are very grateful to Barefoot Books for donating copies of Little Leap Forward in support of our Spirit of PaperTigers project. We wish you and Barefoot Books continued success!

To find out more about Barefoot Books and to take a peek inside its “creative cauldron”, visit the website. The site also offers a number of inspiring videos related to the company’s activities that are well-worth watching! And please note: you can also follow Barefoot Books on Facebook and Twitter.

Some writers have blogged about it more recently – Zetta Elliott (who also followed up on her post with an insightful interview of Laura, entitled From the Other Side: An Editor Speaks Out!) and Neesha Meminger have both contributed to what will no doubt be an on-going discussion. Uma Krishnaswami also commented on this (since withdrawn…) blogpost and these words really resonated with me:

there are some of us now who are trying to write beyond the boxes, beyond the simple classifications or the books that are *about* culture or race. In this time of economic stress it’s even more important to make sure we don’t slide back to old insularities!

I think we all need to make a New Year’s resolution that we won’t allow these issues to be conveniently side-tracked. On a recent visit to San Francisco I came away laden from several independent and second-hand bookshops with books that I have got to know through PaperTigers – but I found it very unsettling to say the least that in the large children’s section of an enormous chain bookshop I also visited, I could only find two books – two books!!! So there are not just issues of publishing to be contended with, but also marketing and distribution. And in these times of “economic stress” , we take our hats off to those publishers who are producing a consistently wonderful array of multicultural titles. We do need to keep the voices for diversity heard, written by a diversity of voices, which includes more writers of colour; and we need to ensure that readers from all backgrounds have access to a diverse range of reading material – because that is the only way that kids will be able to fit their own stitches into the vast multicultural tapestry of life.

Both Gumboot Books and Once Upon a Huckleberry Bush are unique in the children’s and young adult literature world. Gumboot Books is an eco-friendly publishing house that specializes in “Books with a Conscience”. Besides encouraging people of all ages to read and write, they aim to foster a sense of social responsibility and respect for our planet; and guarantee that all the books they publish are responsibly produced. They are printed in North America, inks are child-safe, and the paper is old-growth-fibre free.

Once Upon a Huckleberry Bush is a special, independent book store, which aims to:

nurture the world through storytelling, reintroducing myths that will promote a strong sense of local community and global involvement. This company endeavors to promote tolerance, love and compassion. Dedicated to young readers in the hopes of cultivating a lifelong love for books, Once Upon a Huckleberry Bush [...] offers many special events and activities, including regular story time, organized book clubs to help develop reading skills and interests, and contests to cultivate kids’ imaginations and storytelling abilities.

Unfortunately I won’t be able to attend this Fall Book Launch as I will be out of town. But for those of you in Vancouver, drop on by the book store! Book readings will be held throughout the day and the line-up includes:

Fly Catcher Boy by Rebecca Kool, illustrated by David Namisato;

When Chickens Fly by Kari-Lynn Winters and Izabela Bzymek;

aRYTHMetique by Tiffany Stone, Kari-Lynn Winters and Lori Sherritt-Fleming, illustrated by Scot Ritchie – this book has two versions: English and French; the launch will be conducted in French.

Ready for R by Marian MacDougall and Silvana Bevilacqua – a special book written by experienced speech language pathologists and designed to spark speech, language and literacy development; inspire story-telling; and encourage ESL students.

It’s All Greek to Me, Jack by Dan Bar-el;

The Midnight Blue Marble by Melanie Jackson.

Here is the judges’ statement about the impact CBP has had in its community—and no doubt beyond it, too:

For the past 33 years Children’s Book Press has served as a vehicle for civil rights, human rights, and social justice, with a profound impact on the children, youth, and adults who better understand their own lives and histories as a result of its bilingual, multicultural books. Children’s Book Press builds the connection between literacy and success, preserves traditions, and helps build a stronger future for our children.

For those in the Bay Area, the award ceremony will take place tomorrow, Sep 22, at the San Francisco Herbst Theater. To attend the event, you can rsvp using this page.

I love the Emma books too: however, my favorite book by Margriet is My Librarian is a Camel. Inspired by a newspaper article, this book describes unusual mobile libraries found in thirteen countries, from Azerbaijan to Zimbabwe. Besides bookmobiles, this book shows librarians using animals (camels, horses, donkeys, elephants), bicycles, and even a wheelbarrow, to bring books to children in hard-to-reach areas. Complete with world map and text boxes with country information, this book received the International Reading Association’s Notable Book for Global Awareness recognition and has led to schools adopting mobile libraries projects around the world.

Following a similar photo-essay format, Margriet’s newest book My School in the Rain Forest: How Children Attend School Around the World is now available! Several years in the making, this book shares stories and information about many countries around the world and how children attend school. Readers get to know students — from the arid plains of southern Afghanistan to the rain forests of Guatemala — who are pursuing their dreams of a brighter future. At a school that sits on the edge of the Sahara, students are learning to speak English from a teacher who stands in front of a Webcam in North America. In another part of the world, kids aren’t waiting to ride the bus to school — they are waiting to hop in a boat that will take them to a school that floats on a river. And some kids don’t mind heights, especially those who attend a school on the slope of a mountain in the Himalayas, in one of the most remote corners of the earth.

Margriet often does school visits and will be doing slideshow presentations about her travels and the making of this book. Keep an eye on her blog and hopefully she will share some of the details with us.

The books have arrived, and they are so wonderful! Thank you! I have already read them several times to Shashank. His favorite one is ‘Homes,’ and the page he likes the most is the one where crying clouds make rain! Take a look at all the new books on our bookshelf!

Thanks for the feedback and photos, Prashanth! It’s great to see Shashank smiling, with his new favorite book in hand!

Readers, take note: on Jul 15th we will draw a new winner, so keep sending us photos of your children’s bookshelves. They could be the next to win a set of age-appropriate multicultural books!

Here is a list of the books we sent to Shashank:

Homes, by Yang-Huan, illustrated by Hsiao-yen Huang

Speak Chinese, Fang Fang! written and illustrated by Sally Rippin

No English by Jacqueline Jules, illustrated by Amy Huntington

Colors, Colores! by Jorge Luján

Loongie, The Greedy Crocodile by Lucy and Kiefer Dann, illustrated by Bronwyn Houston