On Traveling Libraries and Heroic ‘Book People’: Inspiring children’s books about getting books to people in remote places and difficult circumstances

My sons and I paid our first-ever visit to a bookmobile over the summer.  For us it was a novelty.  We have shelves of books at home and live just 3 blocks from our local branch library, but the brightly colored bus had pulled up right near the playground we were visiting in another San Francisco neighborhood (whose branch library was under renovation), and it was simply too irresistible.  Inside, this library on wheels was cozy, comfortable, and loaded with more books than I would have thought possible.  I urged my boys to practice restraint and choose only one book each rather than compete to reach the limit of how many books one can take out of the San Francisco Public Library system (the answer is 50; we’ve done it at least once).

The bookmobiles provide a great service even in our densely populated city where branch libraries abound.  There are other mobile libraries, however, that take books to children who may live miles from even the nearest modern road; to children who live on remote islands, in the sparsely populated and frigid north, in temporary settlements in vast deserts, and in refugee camps.  The heroic individuals who manage these libraries on boats, burros, vans, and camels provide children and the others they serve with a window on the world and a path into their own imaginations that would otherwise be impossible.

Shortly after my own bookmobile experience, Jeanette Winter‘s Biblioburro (Beach Lane Books, 2010), a tribute to Colombian schoolteacher Luis Soriano, who delivers books to remote hillside villages across rural Colombia, arrived in my mailbox to be reviewed for Paper Tigers.  I loved this book, as I do most of Winter’s work, for its bright pictures and simple, straightforward storytelling. Another picture book, Waiting for the Bibiloburro by Monica Brown (Tricycle Press, 2011), tells the story of Soriano’s famous project from the perspective of one of the children it serves, whose life expands beyond farm chores and housework thanks to Soriano and his burros.

I was moved, of course, by Soriano’s story, which got me thinking about another favorite picture book my children found at our branch library a few years ago: That Book Woman by Heather Henson (Atheneum Books for Young Readers, 2008) is a fictionalized account of one family’s experience with the Pack Horse Library Project, a little-known United States Works Progress Administration program that ran from 1935-1943.  The Pack Horse librarians delivered books regularly to families living deep in Kentucky’s Appalachian Mountains.  In this inspiring story a young boy’s disdain for reading is transformed through his awe in watching “that Book Woman” make her way to his family’s remote cabin without fail every two weeks no matter the weather.  ”I stand a spell to watch that Book Woman disappear. […] It’s not the horse alone that’s brave, I reckon, but the rider too.  And all at once I yearn to know what makes that Book Woman risk catching cold or worse.” When winter keeps the family housebound, the boy asks his sister to teach him how to read.  He emerges, in spring, with a thirst for books as strong as hers.

Margriet Ruurs’ My Librarian is a Camel (Boyds Mill Press, 2005) profiles alternative libraries in 13 different countries.  Camels, which can carry up to 400 pounds, are the beast of choice for delivering books to nomadic villages in Kenya, where desert sands prevent even the toughest four-wheel drive vehicles from getting in.  Donkeys in Peru and Zimbabwe pull library carts to rural villagers, while in Mongolia, where horses were first domesticated (and the literacy rate is nearly 100%), books are delivered across the Gobi desert by either a horse-drawn wagon, a camel, or, sometimes, a minibus, as discussed by well-known Mongolian children’s writer and Mobile Library founder Jambyn Dashdondog in this article.  Donkeys are also a critical part of the library system of rural Ethiopia, where larger mobile libraries are pulled by donkey teams through the relatively flat landscape thanks to the Ethiopia Reads project (you can read about it on PaperTigers here).  Books are delivered by boat to some remote communities in Indonesia and Finland, while in Nunavut, homeland of the Inuit in the far northern reaches of Canada, library books come in the mail, along with postage paid envelopes so they can be returned.  Many other countries, including Pakistan and Australia, have mobile library systems in trucks or buses that greatly expand the reach of their brick-and-mortar libraries.

Some of the libraries profiled in My Librarian is a Camel  have been transformed or no longer exist.  In Blackpool, England, a community of locals once delivered books via wheelbarrow to vacationers on the beach.   Today, the library system of the City of Port Philip in Victoria, Australia has begun cycling out its old stock by offering a beach wheelbarrow library service.   The Port Philip librarians do not expect the books to be returned but ask only that patrons pass them on to others when they have finished with them.   The “blue truck” of Azerbaijan was especially noteworthy for its role in delivering books each week to children living in refugee settlements.  The program was discontinued upon the establishment of 31 stationary libraries for Internally Displaced Persons (IDP) in central Azerbaijan.  Elsewhere, I learned about Thailand’s Elephant Delivery Project and The Library Train in Bangkok: a neat role reversal for the mobile library in which the Railway Police have converted a train carriage into a static Train Library for local street kids!

The research for this article brought to mind many of the heroic librarians I have read about in other children’s books, such as Alia Muhammad Baker, The Librarian of Basra (Harcourt, 2005) who saved some 30,000 books from the fires of war in 2003; Pura Belpré of The Storyteller’s Candle (Children’s Book Press, 2008), who stayed put in her library while making sure that new immigrants in New York understood that it was there for them as it was for everyone in the city; and of course, the remarkable Jella Lepman, founder of The International Youth Library and IBBY, the International Board on Books for Young People, whose story is told in Books for Children of the World: The Jella Lepman Story (Pelican Publishing, 2007). Lepman helped people everywhere understand that sometimes children need books as much as they need food and water.  She helped encourage peace by distributing translated copies of Munro Leaf’s classic, The Story of Ferdinand to the children of war-torn Germany following World War II.  The books helped the children transcend their difficult existence and gave people everywhere an opportunity to participate in peacemaking by contributing to Lepman’s effort.

The heroes of today’s mobile libraries and the children who look forward to their arrival would make Lepman proud.  I wonder how many lives are better today because a poor child of Appalachia or a German war orphan discovered books 50 or 60 years ago at the hands of an intrepid librarian.  Their descendants will reap the benefits of reading for generations to come, and the children served by unconventional libraries all over the world are, even now, contributing to a brighter future for all of us, one page at a time.

PaperTigers Personal View by Abigail Sawyer, September 2011

Auction #121: A Spirit of PaperTigers 2010 Book Set of Seven Picture books, some signed. From PaperTigers.org

Description: You are bidding for a set of seven high-quality picture books (all hardcover) which were selected as the Spirit of PaperTigers book set for 2010 to be sent to different schools and libraries around the world.

The Book Set comprises the following titles with some, as indicated, containing book plates signed by the author/illustrator:

First Come the Zebra – SIGNED
Written and illustrated by Lynne Barasch
Lee & Low, 2009. Ages 4-8

Little Leap Forward: A Boy in Beijing – SIGNED BY THE AUTHORS
Written by Guo Yue and Clare Farrow, illustrated by Helen Cann
Barefoot Books, 2008. Ages 9-12

My Little Round House - SIGNED
Written and illustrated by Bolormaa Baasansuren
Groundwood Books / House of Anansi Press, 2009. Ages 4-8

One Hen: How One Small Loan Made a Big Difference – SIGNED BY THE AUTHOR
Written by Katie Smith Milway, illustrated by Eugenie Fernandes
Kids Can Press, 2008. Ages 7+

Planting the Trees of Kenya: The Story of Wangari Maathai – SIGNED
Written and illustrated by Claire A. Nivola
Frances Foster Books/Farrar, Straus and Giroux, 2009. Ages 5-8

The Storyteller’s Candle / La velita de los cuentos – SIGNED BY THE ILLUSTRATOR
Written by Lucia Gonzalez, illustrated by Lulu Delacre
Children’s Book Press, 2008. Ages 4-8

Where the Mountain Meets the Moon – SIGNED
Written and illustrated by Grace Lin
Little Brown Books for Young Readers, 2009. Ages 9-12

Estimated Value: $150

Bio: PaperTigers.org is a colorful website devoted to multicultural books from around the world for children and young adults, with a particular focus on the Pacific Rim and South Asia. We seek to promote the celebration and tolerance of diversity, and to nurture literacy and a love of reading. As well as highlighting the world of multicultural children’s and ya literature on our website and blog, we work to reinforce our goal of promoting cross-cultural understanding via our Spirit of PaperTigers Outreach, under the banner Books and Water: Nourishing the Mind and Body.

PaperTigers’ website: www.papertigers.org

Children’s Book Press is the only nonprofit, independent press in the country [US] focused on publishing first voice literature for children by and about people from the Latino, African American, Asian/Pacific Islander, and Native American communities. We promote lived and shared experiences of cultures who have been historically under-represented or misrepresented in children’s literature while also focusing on promoting inter-cultural and cross-cultural awareness for children of all backgrounds. Children’s Book Press literature provide tools that help build healthy children, families, and thriving communities for generations to come.

If you want to find out more, read this, and our interview with Dana Goldberg, Children’s Book Press Executive Editor, in which she said this:

As a nonprofit publisher, we really do need the support of our community not only to publish the kinds of books we do, but also to keep them in print. Buying our books and/or making tax-deductable donations go a long way in helping us achieve our goals, of course, but donations of items from our Wish List, or of volunteer time, also help tremendously.

I have a special fondness for Children’s Book Press because one of the first (of many!) picture books I fell in love with after we started producing our own book reviews was one of theirs: A Place Where Sunflowers Grow by Amy Lee-Tai and illustrated by Felicia Hoshino. Last year, The Storyteller’s Candle/La velita de los cuentos by Lucía González, illustrated by Lulu Delacre, was one of the books selected for our Spirit of PaperTigers 2010 book set. To take a couple of books at random, other recent titles that have garnered praise are Tan to Tamarind: Poems about the Color Brown by Malathi Michelle Iyengar, illustrated by Jamel Akib, and My Papa Diego and Me: Memories of My Father and His Art/ Mi papá Diego y yo: Recuerdos di mi padre y su arte by Guadalupe Rivera Marín and illustrated by Diego Rivera. With writers and illustrators like Toyomi Igus, Francisco X. Alarcón, René Colato Laínez, Maya Christina Gonzalez, and… well, I could go on but really, you should head on over to the Children’s Book Press website and take a look at their fabulous catalogue for yourselves.

And I urge you to read Publisher & Executive Director Lorraine García-Nakata recent letter of appeal, published on the Children’s Book Press blog. $47,000 is a lot of money to have to raise by March but it’s not impossible – take a look at the website and think about buying a book; and if you’re in San Francisco next Wednesday, 23rd February, you have the opportunity to show support and have a great night out with some of their authors and artists. Don’t miss it – and then come here and let us know what a great time you had!

Here are details of the rest of the books we all read (you’ll have to go back to here, here and here to find out the first ones…)

Together we read Goodbye Buffalo Bay by Larry Loyie with Constance Brissenden (Theytus Books, 2008). Even though I’d read it before, it was very hard to keep my composure for some of this traumatic but ultimately uplifting story, all the more engaging because it is both autobiographical and narrated in “Lawrence’s” engaging teenage voice. The first half of the book deals with Lawrence’s last year at a Residential School for First Nation children in Canada; and the second part is about how Lawrence then sets about finding himself again after leaving. It was the first time my two had become aware of residential schools and it provoked a lot of discussion about the treatment of First Nation people both in Canada and elsewhere. And as well as the ethical discussion, there was also plenty to talk about as regards Lawrence’s actual, individual experience. We all loathed Sister and we loved Sister Theresa. Then later, Lawrence’s different itinerant jobs, such as firefighting and working at a sawmill, were heroic in the boys’ eyes, and they were delighted at the end that his ambition to become a writer had so obviously come to fruition. We all of us cannot recommend this beautifully written story highly enough – and I would say that it would be a perfect book for reluctant readers, boys especially, as it is fairly short and succinct.

We also read and enjoyed Golden Tales: Myths, Legends, and Folktales from Latin America by Lulu Delacre (Scholastic, 2006) and Myths and Legends of Aotearoa, which I blogged about recently; and Little Brother and I read together the powerful and moving Grandfather’s Story Cloth/ Yawg Daim Paj Ntaub Dab Neegwritten by Linda Gerdner and Sarah Langford, illustrated by Stuart Loughridge (Shen Books, 2008).

Older Brother and Little Brother both read Señor Cat’s Romance: and Other Favorite Stories from Latin America by Lucia Gonzalez and Lulu Delacre, as I mentioned here. Older Brother is just coming to the end of Where in the World by Simon French (Little Hare, 2002); Little Brother read American Born Chinese by Gene Luen Yang (First Second Books, 2006), filched from Older Brother, and he’s still quoting it; The Rabbits by John Marsden, illustrated by Shaun Tan; and Animal Poems of the Iguazu by Francisco X. Alarcón, illustrated by Maya Christina Gonzalez (Children’s Book Press, 2008).

So we were very nearly there in terms of reading – it was the time limit that really got us. Let’s see how we do this year. I’ll be posting details of the 2011 Reading the World Challenge soon…

And very well done to all of you who managed to complete it; I hope you’ll be joining us again – and it would also be great for readers to persuade the young people in their lives to take part. The 2010 Spirit of PaperTigers book set would definitely make a great springboard – and there’s still a chance for you to win one in our 1,000th Post Draw taking place next week. The deadline is Wednesday 19th January and you’ll find full details here.

(Click on event name for more information)

2011 PBBY-Salanga Prize Winner Announced~ Philippines

Dromkeen National Centre for Picture Book Art Exhibits~ Riddells Creek, Australia

December Kids Book Events~ Cairo, Egypt

Making Books Sing Presents a One-Woman Play Based on The Storyteller’s Candle/La velita de los cuentos by Lucía Gonzalez~ New York, NY, USA

Doha International Children’s Book Festival~ ongoing until Dec 2, Doha, Qatar

2010 Bologna Illustrators Exhibition~ ongoing until Dec 5, Nanao, Japan

Off the Page: Original Illustrations from NZ Picture Books~ ongoing until Dec 5, Ashburton, New Zealand

Guadalajara Book Fair~ ongoing until Dec 5, Guadalajara, Mexico

2011 Canadian Children’s Book Centre Awards~ submissions accepted until Dec 17, Canada

Scholastic Asian Book Award~ submissions accepted until Dec 31, Singapore

Hedwig Anuar Children’s Book Award 2011~ submissions accepted until Dec 31, Singapore

An Exquisite Vision: The Art of Lisbeth Zwerger~ ongoing until Jan 9, Hannover, Germany

Monsters and Miracles: A Journey through Jewish Picture Books~ ongoing until Jan 23, Amherst, MA, USA

Drawn in Brooklyn Exhibit of Original Picture Book Art by Brooklyn Illustrators~ ongoing until Jan 23, Brooklyn, NY, USA

National Center for Children’s Illustrated Literature Presents From Houdini to Hugo: The Art of Brian Selznick~ ongoing until Jan 29, Abilene, TX, USA

Fins and Feathers: Original Children’s Book Illustrations from The Eric Carle Museum of Picture Book Art~ ongoing until Jan 30, Raleigh, NC, USA

Summer Reading Club: Scare Up a Good Story~ ongoing until Jan 31, Australia

2011 Frances Lincoln Diverse Voices Children’s Book Award~ submissions accepted until Feb 25, United Kingdom

International Youth Library Exhibit: The Fabulous World of John Kilaka, Pictures and Drawings by a Tanzanian Artist~ ongoing until Feb 28, Munich, Germany

Mr Gumpy and Other Outings; Celebrating 50 years of John Burningham’s at Seven Stories~ ongoing until Mar, Newcastle upon Tyne, United Kingdom

Witness: The Art of Jerry Pinkney~ ongoing until May 30, Stockbridge, MA, USA

International Youth Library Exhibit: The World in Miniature. The Family in Historic Picture Books and Children’s Literature~ ongoing until Aug 31, Munich, Germany

Salon du livre et de la presse jeunesse~ Dec 1 – 6, Montreuil, France

IBBY France Conference: 2nd European Encounter on Children’s Literature~ Dec 3, Paris, France

SCBWI France International Conference for Writers and Illustrators~ Dec 3 – 4, Paris, France

Family Trees: A Celebration of Children’s Literature~ Dec 3 – Jan 2, Concord, MA, USA

Look! The Art of Australian Picture Books Today~ Dec 3 – May 29, Melbourne, Australia

The Children’s Literature Centre at Frostburg State University Presents Storybook Holiday~ Dec 4, Frostburg, MD, USA

Read Out Loud! Family Literacy & Book Festival~ Dec 4, New York, NY, USA

SCBWI Tokyo Illustrators Exhibition: Every Picture Tells a Story~ Dec 7 – 12, Tokyo, Japan

Exhibition of Finalists of the 3rd CJ Picture Book Award~ Dec 8 – 28, Seoul, Korea

Carle Museum Professional Development Workshop: Picturing Stories~ Dec 10, Amherst, MA, USA

BookFest@Singapore~ Dec 10 – 19, Singapore

The Best of the Best in 2010 with Susan Bloom~ Dec 11, Amherst, MA, USA

Chapter & Verse’s (A Book Club for Adults Discussing Children’s Lit) Mock Newbery and Caldecott Discussions~ Dec 11, USA

The Art Institute of Chicago Exhibit: Real and Imaginary: Three Latin American Artists – Raúl Colón, David Diaz and Yuyi Morales~ Dec 11 – May 29, Chicago, IL, USA

Talking About Words and Pictures with Tony DiTerlizzi~ Dec 12, Amherst, MA, USA

Partners in Wonder: Selections from the Collection of Jane Yolen~ Dec 14 – May 1, Amherst, MA, USA

Coming of Age Around the World Book Discussion Group: Bamboo People by Mitali Perkins~ Dec 16, Watertown, MA, USA

Osborne Collection of Early Children’s Books Exhibit: Winter Fun!~ Dec 18 – Mar 5, Toronto, ON, Canada

Kuala Lumpur Children’s Book Fair~ Dec 22 – 26, Kuala Lumpur, Malaysia

There are six stories in all, each one a delight for sharing with young children. “Martina the Little Cockroach” did not disappoint, though I was mightily relieved to realise that there was one extra page-turn to the story. “The Billy Goat and the Vegetable Garden” also has a connection with Pura Belpré since it is based on her retelling of the Puerto Rican version, included in her book The Tiger and the Rabbit and Other Tales. One of the many Latin American trickster tales about “How Uncle Rabbit Tricked Uncle Tiger” is also included. Then there’s a cheeky wee “Half-Chick” with only one wing and one leg – what a lovely story to weave around the everyday sight of a weather-vane; “Juan Bobo and the Three-Legged Pot”, one of many stories about this character, which translates as Foolish John – and maybe he’s not so foolish… And finally, at the end is the exuberant song abut the Señor Cat of the book’s title.

Lucia’s Foreward and Lulu’s Afterword both make clear the love that has gone into the creation of this vibrant book: but, in fact, that also comes through very clearly via the narration and illustrations themselves. The notes accompanying each story provide insight and connections with other story-telling traditions – and don’t miss the mouthwatering recipe for arroz con pollo Lulu has included in one of her goegeous illustrations!

Lucia Gonzalez, author of The Storyteller’s Candle (Children’s Book Press, 2008):

I would like The Storyteller’s Candle to travel to Puerto Rico, to be in classrooms, libraries, and homes from the smallest town to the capital city San Juan. I want children in the island to know and be proud of the work of Pura Belpré, and to re-encounter the stories that belong to them.

and Lulu Delacre, the book’s illustrator:

I would like to send The Storyteller’s Candle to Tibetan schools for monks and nuns in Ladakh, India. Their lovely children have no libraries, and live off the generosity of others. They are taught English and the lesson that Pura Belpré imparts at the end of the book might be one they truly connect to.

Katie Smith Milway, author of One Hen (Kids Can Press, 2008):

If I could send One Hen anywhere in the world right now, it would be to Haiti, in Creole, to inspire children there to play an entrepreneurial role in rebuilding their nation. Happily, a Haitian Creole edition of the book is due out in 2010 through publisher EducaVision.

and Eugenie Fernandes, the book’s illustrator:

One Hen is already at the White House, so… after that I would like to send it… everywhere!, because it’s a book that connects us all.

Guo Yue and Clare Farrow, authors of Little Leap Forward: A Boy in Beijing (Barefoot Books, 2008):

Little Leap Forward is about the lives of children who are growing up in a very poor, overcrowded society, in which food is rationed and there are no toys (beyond what they can make themselves) – a closed society in which freedom, knowledge and creativity are suppressed, and the people they love are about to be taken away from them. It is also a story about the irrepressible power of friendship, love and the imagination, even in the face of hardship and revolution.

So if we could send the book to children in areas of need in the world, it would be to any country where people are not free to express themselves, where families are divided, and children suffer from hunger, fear and poverty. In some small way, we would love to give those children the feeling that they are not just tiny grasses blowing helplessly in the wind (there is an old Chinese saying about this), but that they can find strength through nature and friendship, and hope for a better future by making the most simple gestures of freedom and compassion, whether it is releasing a caged bird (as Little Leap Forward does), finding music in everyday sounds, taking care of a friend, or flying a homemade kite in the wind.

and Helen Cann, the book’s illustrator:

I’d like Little Leap Forward to go anywhere where lives are repressed and people are told what to think and do. Little Leap Forward is about the triumph of hope, love and imagination over oppression.

Once again, those interviewed have provided us with plenty of food for thought – and perhaps you have very particular ideas about where you’d send special books like those that make up the Spirit of PaperTigers Book Set? Do let us know…

Founded in 1975, Children’s Book Press is a nonprofit independent publisher of multicultural and bilingual literature by and about people from the Latino, African American, Asian/Pacific Islander, and Native American communities. Their stories promote “lived and shared experiences of cultures who have been historically under-represented or misrepresented in children’s literature while also focusing on promoting inter-cultural and cross-cultural awareness for children of all backgrounds.”

Children’s Book Press is the publisher of The Storyteller’s Candle, one of the seven books selected for inclusion in our Spirit of PaperTigers Book Set Donation Project. Dana Goldberg, Executive Editor, answered my questions about the book and other topics related to multicultural children’s literature:

PT: How did The Storyteller’s Candle come about as a project for Children’s Book Press?

DG: Our former Executive Director approached Lucía Gonzalez at a conference, and they got to talking about Pura Belpré. The idea to do a book with Lucía about Pura came from that meeting.

PT: When you acquired Lucia’s manuscript, did you expect the book to be as successful as it’s turned out to be?

DG: We did have high expectations for the book. The manuscript was just perfect — Lucía is a master storyteller, so we knew the book would be reviewed favorably in that respect. We knew there would be significant interest on the part of librarians everywhere, and from the Latino community in general. Pura was so influential to so many people, to so many generations of children. From the very beginning we had an inkling we had a hit on our hands.

PT: Did you consider other illustrators for the book, or was Lulu Delacre the most natural choice? What can you tell us about the pairing up of Lucia’s work with Lulu’s art?

DG: It was Lucía’s idea to approach Lulu, since the two of them had worked together before on the The Bossy Gallito and Senor Cat’s Romance and Other Favorite Stories from Latin America. It seemed very natural to bring those two amazingly talented women together again for this particular book. Pura Belpré was the first Puerto Rican librarian in New York, and Lucía felt very connected to her because she too is a librarian and a storyteller, and Lulu had the connection of being from Puerto Rico and having the firsthand cultural knowledge that goes along with the story.

PT: How do you think the public’s attitude toward multicultural and bilingual books for children has changed since CBP was founded, in 1975?

DG: There’s a much greater acceptance of multicultural and bilingual books among parents, teachers, and librarians. But you still find a lot of resistance (or ignorance) among some booksellers who don’t know what to do with those books, or how to categorize them or where to display them in their stores. For example, instead of putting our books in the children’s section, some stores put them in the foreign language section. And in some academic circles there is debate over whether bilingual books help or hinder children learning English as a second language. But we’ve heard very positive things from teachers who work with ESL/ELL populations; they love our books because it’s like getting two books in one. I also have to point out that although many more publishers offer multicultural books for kids, it’s unfortunately true that only a very small fraction of those books are actually written and illustrated by people of color (according to CCBC – The Cooperative Children’s Book Center at the University of Wisconsin).

PT: What are some of Children Book Press’s bestselling titles?

DG: Family Pictures, by Carmen Lomas Garza, is our bestselling title, by far. It’s sold nearly 480,000 copies since its original publication in 1990, which is pretty remarkable for a children’s book. Other bestsellers include Baby Rattlesnake, The Woman Who Outshone the Sun, and In My Family.

PT: What is the most challenging aspect of being a publisher of multicultural children’s books these days?

DG: The fact that there are more publishers competing for the best stories by the best authors and artists. We’re definitely not the only publisher that puts out multicultural children’s books anymore. Which is great for readers everywhere, of course! But it can make it more challenging for us. More titles are competing for librarians’ and teachers’ and reviewers’ attention. But that just means we have to work harder to make sure we’re the best at what we do, and that each book we publish is a home run.

PT: What are your hopes for the future of CBP?

DG: We have plans to start publishing bilingual board books in 2011. And someday, we’d love to move into publishing multicultural and bilingual middle grade chapter books and young adult novels. We also hope to keep up with — if not get ahead of — the changing technology that’s revolutionizing how people read. We definitely want to be part of that conversation.

PT: Anything else you’d like to add?

DG: I’d like to finish by saying that, as a nonprofit publisher, we really do need the support of our community not only to publish the kinds of books we do, but also to keep them in print. Buying our books and/or making tax-deductable donations go a long way in helping us achieve our goals, of course, but donations of items from our Wish List, or of volunteer time, also help tremendously.

…

Thanks, Dana, for taking the time to answer my questions. We are very grateful to Children’s Book Press for donating some copies of The Storyteller’s Candle in support of our Spirit of PaperTigers project. We wish CBP continued success!

To learn more about Children’s Book Press and to see their wonderful catalog and free online teaching resources, visit their website. To keep up with their news, check out their blog, or follow them on Facebook and Twitter.

This telling of Pura Belpré’s work through the eyes of children, written by Lucía Gonzalez, makes a very special readaloud, both to a group of children and cosily at home. As the whole Puerto Rican community of El Barrio joins together to put on a play at the library to celebrate el Día de los Reyes, Three Kings’ Day on the 6th January, the cold outside is forgotten and the library is filled with the warmth not only from the roaring fire, but also from people’s hearts. Then, at the end,

“Ms. Belpré concluded the show in her usual way. “Close your eyes and make a wish,” she whispered as she held the storyteller’s candle.

Lulu Delacre’s gorgeous illustrations (and you can see some of them in her PaperTigers Gallery) are particularly special because she has added collage details to every page using a newspaper from 6th January 1930. I think my favorite, wittily accompanying this illustration of the audience at the library, is a column of thank yous to theatre critics for rave reviews…

Of course, Pura Belpré’s work continues to be commemorated by grown-ups with the awarding of the Pura Belpré medal, whose 2010 winners were announced in January. The Storyteller’s Candle means that children can share in her wonderful story too – and enjoy her legacy of libraries as hubs in their communities.

Today we are thrilled to be announcing our Spirit of PaperTigers Project, an initiative of Pacific Rim Voices, whose aim is to promote literacy while raising awareness of our common humanity. The idea is to donate 100 book sets of 7 carefully selected multicultural books to libraries and schools in areas of need across the globe.

The following titles have been selected for inclusion in the 2010 Book Set:

Planting The Trees of Kenya: The Story of Wangari Maathai, by Claire A. Nivola. Frances Foster Books, 2008.

First Come the Zebra, by Lynne Barash. Lee & Low, 2009.
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Little Leap Forward: A Boy in Beijing, by Guo Yue and Clare Farrow, illustrated by Helen Cann. Barefoot Books, 2008.

The Storyteller’s Candle/La velita de los cuentos, by Lucia Gonzalez, illustrated by Lulu Delacre. Children’s Book Press, 2008.

My Little Round House, by Bolormaa Baasansuren, English adaptation by Helen Mixter. Groundwood Books, 2009.

One Hen: How One Small Loan Made a Big Difference, by Katie Smith Milway, illustrated by Eugenie Fernandes. Kids Can Press, 2008.

Where The Mountain Meets The Moon, by Grace Lin. Little, Brown Books for Young Readers, 2009.

Our website currently highlights all the authors and illustrators whose books have been selected, as well as other features related to the project. Please note that we will be further exploring the particular reasons for selecting each title, here, on the blog, during the month of February.

One important aspect of the Spirit of PaperTigers project is that we will be receiving feedback from the book set recipients. In the course of the coming months, as feedback comes in, we will be posting it to the blog and the site, so everyone can find out about where the books are going and who they are reaching.

To learn more about the project and enjoy the new features, visit the website. And please help us spread the word on this exciting new venture!…