Another year has flown by and it is almost time to ring in 2010. At this time of the year we are inundated with “Best of 2009″ lists and, for those of us interested in children’s and young adults literature, there is no better place to see the literature lists  than at Susan Thomsen’s blog Chicken Spaghetti. Susan has compiled a Best Children’s Books of 2009: The Big List of Lists which is truly an amazing resource and well worth your time to check it out!

In my mind 2009 was truly an outstanding year for children’s and young adult literature especially multicultural books. One of my resolutions for the year was that I would focus on reading more young adult books than adult books and I am proud to say that I succeeded! However I can’t say the same for my other resolution of keeping a list of all the books I read during the year. I’ll have to make a better attempt at that list in 2010!

Some of my highlights from 2009 were:

Wanting Mor by Rukhsana Khan

Where the Mountain Meets the Moon by Grace Lin

Little Leap Forward: A Boy in Beijing by Guo Yue and Clare Farrow, illustrated by Helen Cann

The Bite of the Mango by Mariatu Kamara with Susan McClelland

What about you? What did you enjoy reading in 2009? Any book related resolutions for 2010?

With September now upon us, we are continuing our focus on Music in Children’s Literature with a new Book of the Month, over on the main PaperTigers website: A Song for Cambodia by Michelle Lord and illustrated by Shino Arihara (Lee & Low, 2006):

…the painful but inspiring true story of how music literally saved the life of Arn Chorn-Pond, founder of Cambodian Living Arts, a World Education project.

An orphan of the Khmer Rouge genocide in 1975, nine-year-old Arn was sent to a children’s work camp, where he was underfed and overworked, under the constantly watchful eye of armed and threatening soldiers. When volunteers were called for to play propaganda songs, Arn, who came from a family of musicians, raised his hand. He and five other children were chosen to learn the khim, a traditional Cambodian string instrument. Arn excelled… but once he had learned to play, his teacher and all but one of his fellow students were executed…

Read the complete review

Michelle has also contributed an insightful Personal View, Music as Inspiration and Survival: a Cambodian Journey – definitely worth reading!

Also new on the website, we are delighted to present an interview with husband-and-wife team Guo Yue and Clare Farrow, authors of the powerful and moving illustrated middle-reader, Little Leap Forward (Barefoot Books, 2008). In June I blogged about its powerful stage adaptation and in the interview Yue and Clare talk about it, as well as other aspects of the book.

Little Leap Forward is based on Yue’s childhood during the Cultural Revolution in China. His father, a professional erhu (two-string violin) player, died when Yue was very young; when Yue was seven, he began receiving flute lessons from one of his father’s friends, a musician who lived in the same small courtyard; then, at the age of seventeen, he joined an army music ensemble as a flutes soloist for the People’s Republic of China. With the help of one of his sisters, Yue left China in 1982 to take up a scholarship at the Guildhall School of Music in London. He now plays all over the world – and by following some of the links in the interview side-bar, you can listen to some examples of his beautiful music…

Last night we all jumped in the car after school and raced to Leeds to go and watch the beautifully crafted staging of Little Leap Forward. Adapted from the book, by Guo Yue and Clare Farrow, illustrated by Helen Cann and published by Barefoot Books, it tells the story of events from Yue’s own childhood set against Mao’s Cultural Revolution in China.

A powerful combination of masked actors, puppets and shadow-box/animation, not to mention an atmospheric score and cleverly versatile set, the story is told “only” through mime. We followed Little Leap Forward’s dawning awareness of the importance of freedom, both through the political events unfolding around him and through his love for a songbird captured for him by his best friend. No matter how much Little Leap Forward coaxes and bribes with seeds, the bird cannot sing from within the confines of a cage. A “scary” dream sequence that had Little Brother on the edge of his seat alerts Little Leap Forward to what he has to do and he sets the bird free.

I have to say that this particular performance will be looked back on by us – and probably by the cast – with very mixed feelings. There was a group of children in the audience from a local School for the Deaf, who were entranced – picking up enough of the vibrations of the music to get a feel for it, and able to particpate fully in the action on stage. Wonderful. However, the first three rows were taken up by a youth-group outing and it very soon became evident that the children did not know how to behave in a public, live performance. All the more credit to the production, then, that in the scene when Red Guards arrest Little Leap Forward’s mother (an event related in Guo Yue and Clare Farrow’s book for adults, Music, Food and Love), there was not a sound from the auditorium.

Afterwards, the four actors/puppeteers gave (more…)

We have recently published a review of Little Leap Forward: A Boy in Beijung by Guo Yue (on whose childhood the book is based) and Clare Farrow, and illustrated by Helen Cann. To celebrate the launch of the book, Barefoot Books also made this video. Yue both narrates and plays the music: his flute-playing is hauntingly beautiful. Prepare to be captivated!