For our current issue on How Children Play Around the World, we asked several authors and illustrators to tell us about their Memories of Playtimes Past. Together, they paint a vivid picture of childhood around the world and reveal the power of imagination – something that still plays such an important role in all their lives as adults, and in the lives of kids today. Illustrator Mandana Sadat, whose own contribution is just wonderful, was struck after reading the whole article by the similarities in the different experiences of play – do read Aline’s post discussing this.

The first author up is Tanita Davis:

Growing up the youngest of three sisters (in Martinez, California) meant being left out of the older girls’ games. To placate me, I was named Mom’s “helper” and my playtimes combined chores and daydreaming. I would sit on the back porch and shuck corn from the garden, or weed the front yard – and then taking the silk from the corn, combine it with dirt and water, and make “pies” for the dog to eat (Our poor dog. She really did eat them.), or take the “milk” from the stems of the dandelions I was supposed to be eradicating from the front yard (after blowing all of the milkweed clocks and sufficiently re-seeding them throughout the lawn), and use it as glue to adhere dry weeds to the “head” of a cornhusk doll.

Because I was a quiet kid, I got away with a lot – climbing the tree next to my father’s shed, and making a tree-house of sorts on the roof, complete with its own chamber pot (Oh, I got in trouble when my mother found out about THAT) and store of slightly mildew books scavenged from a teacher’s throw-away pile. One summer I played with the hose and made carefully dried adobe “moccasins” that were no more than ten or twelve layers of clay mud I wore on the bottom of my feet as shoes. They lasted for a surprisingly long time before they cracked. As the layers dried, I would lie on my back in the yard and listen to the drone of the planes going to and from the Air Force base, and imagine they were taking people to adventures, just like I would have someday.

And Belle Yang brings the article to a flourishing close:

I was born on the subtropical island of Taiwan. The front yard was the rice paddies, alive with tadpoles like music notes on sheet music. The Sleeping Dragon Mountain, exploding with firecracker red azaleas, was my backyard. Rivulets, home to small fish and crustaceans, came rushing down the hills. My barefoot friends and I looked for tiny crabs as they crawled among the stones, dappled by sunlight and the motion of wind in the acacia.

We caught the crabs and tied white sewing thread to one of their many legs. We took them for walks on the paved paths of the schoolyard, where my parents taught high school. I was delighted with my pet that could only walk sideways.

Do read the rest of the Memories of Playtimes Past – between them, Alan Gratz, Mandana Sadat, Jorge Argueta, Neni Sta Romana Cruz, Chris Cheng, Demi and Larry Loyie, along with Tanita and Belle quoted above, will evoke a smile, or even a laugh out loud – and certainly memories of one’s own childhood… And if you’d care to share some of those with us, we’d love to hear them!

Established in 1978, Groundwood Books is a small children’s book publisher, associated with House of Anansi Press, that specializes in Canadian authored books (with a special interest in books by First Nations authors), bilingual books in English and Spanish, translations from around the world, and a non-fiction line aimed at young adults. Their catalog features a long list of award-winning titles that reflect individual experiences and are of universal interest.

Patricia (Patsy) Aldana, founder and publisher of Groundwood Books (and president of IBBY, the International Board on Book for Young Readers, since 1997), answered our questions about My Little Round Rouse, one of the seven titles selected for inclusion in our Spirit of PaperTigers Book Set Donation Project; her commitment to publishing books by First Nations authors; the multicultural titles on their Fall list, and more.

In our series of interviews with the publishers of the books selected for our Spirit of PaperTigers project, I normally start by asking how the book in question came about as a project for the publisher. Since we already know the answer to this question in relation to My Little Round House, both from our interview with author Balormaa Baasansuren and from translator Helen Mixter’s article, My Little Round House: The Journey of a Picture Book from Mongolia to Canada, we’ll start by asking…

PT: What in particular attracted you to My Little Round House?

PA: I thought it was a really special book about people whose lives are very different from ours. I also thought it was a very unique look at a baby’s life, a life that despite being nomadic seemed wonderfully cosy and safe.

PT: The books you publish often tell the stories of people whose voices are underrepresented. What first motivated you to start on this path and how do you manage to stay true to your mission?

PA: Being a Guatemalan, I guess that seeing the world through the eyes of the marginal has always come naturally to me. There are so many books published from and for the mainstream that, for me, focusing on underrepresented authors and illustrators was one way to justify being a publisher. As a small Canadian house, this focus has also been a way for us to distinguish ourselves from the huge multi-nationals with whom we have to compete.

PT: How did the decision to stop selling rights to the American market and to start publishing your books in the US come about?

PA: As US publishing changed from the editor-driven houses that I first came to know (Margaret K McElderry, Dorothy Briley, Susan Hirschman, Phyllis Fogelman, etc.), it became harder and harder to sell rights to our books in the US. At the same time Canada began to cut funding to school libraries and as a result (more…)

Expanding on our current focus on Canadian Aboriginal Children’s Literature, I’d like to remind readers about Cree author Larry Loyie’s work. He has written the following children’s books that focus on the modern history of Aboriginal people and deal with native traditions, residential school, HIV awareness and prevention, the meaning of war and other challenging topics: Goodbye Buffalo Bay (Theytus), As Long as the Rivers Flow (Groundwood), When the Spirits Dance (Theytus) and The Gathering Tree (Theytus). Study guides for all four books can be found on his website.

As Long as the Rivers Flow was selected as an honor book for the 2006 First Nation Communities Read Program, and this year, along with Goodbye Buffalo Bay, it was chosen for inclusion in a literacy project whose goal is to encourage learning and understanding of First Nations histories, cultures and perspectives in Ontario schools.

Together with his partner, writer and editor Constance Brissenden, in 1993 Larry created the Living Traditions Writers Group to encourage writing within First Nations communities. If you’re not yet familiar with his work, you’re in for a genuine treat.

You can read our 2007 interview with Larry here. His next book, The Moon Speaks Cree, will be published by Theytus in 2011.

WordFest: Banff-Calgary International Writers Festival is an annual literary festival taking place Oct. 9 – 14, 2007 in Alberta, Canada. One of Canada’s premier literary festivals, WordFest 2007 features over 75 writers of local, national and international stature and will attract more than 12,000 individuals.

Children’s and young adult’s literature will be highlighted in the First Calgary Savings Book Rapport Programme. Festival Director Anne Green tells us:

“Book Rapport brings students up-close and personal with their favourite authors, which is a rare and fantastic opportunity for them. Students can hear the authors read, ask them questions, while teachers have a creative way to bring life into literature.”

Anne adds that this year’s Book Rapport Programme offers a superb line-up of KidLit writers, including the following award winning Canadian authors:

Canadian superstar Kenneth Oppel. Oppel, recipient of numerous prestigious literary awards, is the author of the million-copy-selling Silverwing Saga and has more than twenty children and young adult books to his credit. “To have Ken Oppel attend WordFest is great news for Calgary’s schools, students and families,” says Anne.

First nations writer Larry Loyie and his partner Constance Brissenden. In 2003, Loyie and Brissenden won the Norma Fleck Award for Canadian Children’s Non-Fiction for their children’s book, As Long as the Rivers Flow which was inspired by Loyie’s Cree childhood and the true story of his grandmother’s confrontation with a grizzly. As Long as the Rivers Flow is about a First Nations boy’s last summer spent with his family in the bush before being taken to residential school. The second book in this series When the Spirits Dance recounts the dramatic changes to the boy’s life when his father is sent overseas in World War 2.

Quebec writer Michel Noël. Noël has over fifty books to his credit and has written several award-winning books for young people, including Pien, which won the 1997 Governor General’s Award for French language children’s literature. His novel Good for Nothing, winner of the Geoffrey Bilson Award for Historical Fiction for Young People, takes place in northern Quebec in 1959 and is the story of young Métis who seeks to establish his own identity and find out more about the mystery surrounding his father’s death. The book provides compelling insights into many issues faced by First Nations people during this time (residential schools, racism, land claims etc.) as well as the ongoing struggles of native communities today. Noël was named Citizen of the World by the Canadian Association for the United Nations for his work in seeking better understanding among people.

For those of us who can’t attend WordFest in person, we can still take part! Pop culture writer Hal Niedzviecki will be writing the first official WordFest blog. Niedzviecki describes it as “a gossipy insider look at what’s going on and where to be, what’s not to be missed, who is who, and the opportunity to have your questions answered.”