Susan Lendroth, illustrated by Kathryn Otoshi,
Maneki Neko: The Tale of the Beckoning Cat
Shen’s Books, 2010.

Ages 4-8

The story behind the now ubiquitous good-luck symbol of a white beckoning cat, or Maneki Neko, is well known in its native Japan, and Susan Lendroth’s retelling accompanied by Kathryn Otoshi’s atmospheric illustrations is a welcome addition to the versions of the story available in English.

A poor monk welcomes a little white cat into his simple monastery. He shares what he has with her, naming her Tama, which we learn in a glossary at the end means “round, like a ball, coin etc.” Time passes until one day there is a storm with “Buckets and barrels and rivers of water”. Tama’s attempts to wash are ineffectual in the driving rain, but when a passing samurai spots her from his shelter under a pine tree, Tama appears to be beckoning him towards the shrine. Curious, the samurai moves closer. Then, just as he reaches the gate, a flash of lightening strikes the pine tree, setting it alight: the Beckoning Cat has saved his life. In gratitude, the samurai rewards the monk, transforming the simple monastery to Gotokuji Temple, as it is known today. The monk shares his good fortune with the villagers, and Tama lives out her days growing plumper under their admiring eyes.

Lendroth’s writing has a poetic turn of phrase that makes this a very satisfying readaloud. After setting the scene of Tama and the monk’s tranquil day-to-day life, the pace quickens, heightening the dramatic effect of the storm. Both Lendroth and Otoshi clearly love cats and both the narrative and the illustrations show keen observation of and empathy with feline habits. Otoshi intersperses vigorous images following the action of the story with almost meditative depictions of the shrine and its surroundings that evoke silhouettes viewed through Japanese rice paper shoji screens – even, wittily, when the monk had the “shoji screens opened wide to the night air.” Pinks and blues predominate, and shadows and reflections intensify the contrast between the solidly depicted protagonists and their collage-like backdrops.

With its subtheme of the importance of sharing good fortune, as well as seeking it through buying one of the “thousands of cats waving on thousands of shop counters” around the world, Maneki Neko is a particularly appealing retelling of the legend, relevant to young readers everywhere.

Marjorie Coughlan
August 2011

Yesterday I had the pleasure of getting my hands on a copy of this year’s picture book winner of the E.B. White Read Aloud Award, given by the Association of Booksellers for Children. One, by Kathryn Otoshi (What Emily Saw) is as simple a picture book as it is profound.

From the moment you look at the book cover and read the first page, you know you’re about to experience something special. The concept, a story about bullying that uses splotches of color and numbers to speak of the power of one person to initiate change, is highly original, and its execution, flawless. When One stands up to Red, who is bullying Blue, all the other colors who felt for Blue but had been afraid to speak up, follow his lead and turn into numbers who “count.” In the process, Red isn’t ostracized, but told by One that he, too, can count. “Everyone counts!” they all shout.

My seven year-old was clearly touched by the book’s message of inclusion. She said: “It was nice of them to say that. I bet nobody had ever been nice to Red before.” So young and so wise… I have a feeling we will be gifting this book to friends and telling one and all about it.

Read Kathryn Otoshi’s interview at Character Counts, where she talks about what inspired the book. And for more, check out Alison Morris’ post at the Shelftalker: A Children’s Bookseller’s Blog, written when the book came out, last year.