PaperTigers April Newsletter: Mongolia / Children and their Grandparents

Wednesday, April 20th, 2011

Over the last couple of months we have been gathering together a children’s literature feast from Mongolia: for, as Dashdondog Jamba, writer and founder of Mongolia’s Mobile Children’s Library puts it, “After eating candies there remains nothing. But after reading a book you will have it in your head.”

You will find:

…an interview with Dashdondog Jamba -

“I think that one of the most effective ways to ensure the availability of books translated into one’s own language is through direct contact with foreign authors. We have translated many books in this way. I translate books in the hope that children in different countries will meet each other and become close friends.”

- as well as the reprint of an article he wrote for Bookbird and a review of his recent book Mongolian Folktales;

…an interview with Dori Jones Yang, in which she talks about her recent YA novel, Daughter of Xanadu and more -

“The main message is that it’s important to get to know foreigners. In every country, in every era, it’s easy to slip into an ‘us-vs.-them’ mentality, to look on ‘them’ as sub-human so that we can wage war on them. But when you get to know someone from a faraway country as a human being with hopes and dreams, your worldview shifts. By learning how others see the world, you come to understand yourself and your own people better, and war no longer seems like a sensible option.”

…a peek at the fruits of the collaboration between award-winning artists/writers Ted and Betsy Lewin in our Gallery, including images from their book Horse Song: The Naadam of Mongolia (Lee & Low Books, 2008);

Personal ViewTaking a step into children’s books about Mongolia” by Marjorie Coughlan

…revisits to Bolormaa Baasansuren’s interview and Gallery; and to Helen Mixter’s Personal View

Our new theme for the coming weeks will be Children and their Grandparents – we have already begun our focus on books which explore this joyful, enriching relationship through our Week-end Book Reviews (a new, regular feature on our blog); in the coming weeks look out for authors and illustrators sharing some special moments with their own grandparents, as well as a Personal View from Swapna Dutta, who shares insight into Bengali writer Dakshinaranjan Mitra-Mazumdar’s story collections…

Come walk with us along the road of special stories from around the world – and maybe share some of your own memories with us along the way.

Taking a step into children’s books about Mongolia

Monday, March 21st, 2011

Renowned throughout the world as the founding head of the Mongol Empire in the thirteenth and fourteenth centuries, Genghis Khan’s legacy as “the first children’s writer” is perhaps generally less well-known. But the strong oral tradition in Mongolia means that many of his stories are still told today, and some can now also be read in English, thanks to a fine anthology of Mongolian Folktales published recently.

According to the National Library of Mongolia, at one time Mongolia’s “most popular slogan was ‘Everything for children’” and in 2003 the library opened its Book Palace for Children in Ulaanbaatar, which does indeed seem to provide everything in the way of books a young visitor to the Library could possibly desire. Meanwhile, author and publisher Dashdondog Jamba has spent his whole life ensuring that children in Mongolia have access to stories and the written word, taking his mobile library out to the remotest areas of the country, first by camel and oxen, more recently by truck. You can read his account of one of his journeys here.

Many children’s stories from and about Mongolia reflect its place in world history. The cultural heritage of those times remains strongly evident today, especially when you look beyond the urban areas towards the vast grassland steppe that consitutes most of Mongolia’s geography. This means that picture books with a contemoporary setting and the retellings of traditional stories merge to offer insight into each other that is relevant to today’s young readers, wherever they come from.

The list of books given below is not long, and I’m sure there are others to be found: but in the meantime, all of these are enriching and worth seeking out.

Picture books

Bolormaa Baasansuren, adapted by Helen Mixter,
My Little Roundhouse
Groundwood Books, 2009.

A delightful picture book, which brings the nomadic life of a Mongolian community to life through the eyes of one-year-old Jilu, who shares his experiences of all the roundness in his life, from the ger that is his home to the encircling love that enfolds him. There’s plenty here for young children to contrast and compare with in their own lives. My Little Roundhouse was selected as part of the 2010 Spirit of PaperTigers book set.

Demi,
Marco Polo
Marshall Cavendish Children, 2008.

Marco Polo’s adventurous life is relayed through compact text and sumptuous illustrations bursting out of borders that reflect the rich patterns and brocades of the Silk Route. We read about his many years working under Kublai Khan and the sceptiscism of his fellow countrymen back in Venice. A beautifully depicted map shows the extent of his Travels.

Demi,
Chingis Khan/Genghis Khan
Henty Holt and Company, 1991/Marshall Cavendish 2008.

Originally published as Chingis Khan in 1991, this classic title has recently been reissued as a Marshall Cavendish Classic with the slightly differently spelled title Genghis Khan.

A picture book biography (more…)

Guest post: Helen Mixter on a picture book’s journey from Mongolia to Canada

Friday, February 12th, 2010

My Little Round House by Bolormaa Baasansuren, adapted by Helen Mixter (Groundwood/Anansi, 2009)One of the books selected for the Spirit of PaperTigers 2010 Book Set is My Little Round House by Bolormaa Baasansuren (Groundwood Books/House of Anansi press, 2009). In a Personal View for PaperTigers, Helen Mixter describes the book’s journey from its creation in Mongolia to Japan, and her adaptation of the Japanese edition for publication in English, after being asked by Groundwood to provide a rough translation of the Japanese text:

The rough translation was very useful for its factual content. It explained what was happening in the pictures and also conveyed the emotional tone of the book. It is a book that expresses very convincingly a baby’s feelings of being loved, of being safe and warm and cozy despite what to many non-Mongolians might seem to be the hard life of a nomad. All the elements of this wonderful story were there except that the text did not really resemble a picture book text that would work for North Americans.

The publisher had told me about [Japanese illustrator] Hideko Nagano’s story of working with Baasansuren on the theme of roundness to give the book its shape. So I decided that I would use this idea as the thematic centre for the English version. And roundness is certainly a dominant presence in this baby’s life – from his mother’s womb, to his ger, to the little basket in which he travels through a snowstorm to the family’s winter quarters. Roundness is there in the turn of the year as the family literally moves through four seasons, each with its own pastures and quarters for the animals. It is there in the family that lovingly surrounds him. Only at the very end, when he runs through the grass with the dogs on his first birthday, do we see the baby breaking out of his small round world into the greater, flatter world of the outdoors – though the sky is still a round canopy over his head.

The fact that the “original text” came through such an unusual route in some ways made the whole process much freer than usual. Whereas usually as a translator I work very hard to keep the voice of the original text intact and to remain as true as possible to the word for word of it, this process wasn’t really possible here. Because the illustrations show the story and the feelings of the book so clearly, and because the rough translation had the same emotional texture, it seemed to be okay to try and re-tell the story rather than to “translate” it. I think it works and that the English book is true in spirit and form to the original.

This book is a personal favourite of mine. It is so true to the emotional world of a baby while showing us such a wonderful and completely different way of life.

You can read the whole article here. I found the notion of translation vs adaptation particularly interesting. It would be interesting to know readers’ views on this too…

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