Tarie Sabido's Blog: Asia in the Heart, World on the Mind

Sunday, January 24th, 2010

Filipino editor, English teacher and Cybil judge Tarie Sabido is a great source on what is happening with respect to literature in the Philippines. She contributed to to our recent PaperTigers Focus on the Philippines issue with  her interviews with authors Carla Pacis, Dorina Lazo Gilmore and Edna Cabcabin Moran. Tarie’s blog Into the Wardrobe is always a great read. She has now launched another blog Asia in the the Heart, World on the Mind which is a “children’s and young adult blog about books set in Asia and books with Asian characters (regardless of where they are published and whether or not their authors and illustrators are Asian), and Asian authors and illustrators (no matter where they are in the world).”

Award-winning Filipino children’s story Sandosenang Sapatos (A Dozen Pairs of Shoes) adapted for theater

Thursday, November 19th, 2009

Our current issue of PaperTigers focuses on the Philippines and recently,while searching for literature events taking place there, I came across this news on OMF Literature’s website:

Sandosenang Sapatos (A Dozen Pairs of Shoes), a Palanca award-winning story that has reaped numerous accolades here and abroad and has touched the hearts of many, is now a musical staged by the Valenzuela City Center for Performing Arts (VCCPA) in cooperation with the Valenzuela City Government and the National Commission for Culture and the Arts.

Written by Luis Gatmaitan, M.D., Sandosenang Sapatos tells the story of Karina and Susie. They are the daughters of the town’s best shoemaker, but only Karina gets to wear the beautiful shoes their father makes. Susie can never wear shoes because she was born without feet—will her father, her family love her less? Susie is surprised by the discovery of her father’s incomparable love for her.  Sandosenang Sapatos celebrates the love and acceptance of a family in the face of adversity.

Artistic director Roeder Camañag says, “This is a story of hope grounded in reality. It’s something that will help fight the cynicism we see around us nowadays. It’s not a fairy tale; it’s fresh and relevant.”

Author Luis Gatmaitan is happy with the results. “It is a great honor for an author like me to see the story I’ve created come to life on stage, from the pages of a book to a musical.”

Click here to see photos from the play.

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Luis  Gatmaitan, M.D. has authored and published more than 30 storybooks for children tackling relevant issues such as disability, senility, bereavement, coping with cancer, childhood diseases, and children’s rights in his stories. Inducted into the Palanca Hall of Fame in 2005, he has also been a recipient of the Catholic Mass Media Awards and the PBBY-Salanga Writers Prize.  In addition he  has chaired PBBY and KUTING. In 2005 IBBY named Sandosenang Sapatos an Outstanding Book for Young People with Disabilities.

Meet Kristi Valiant, Illustrator of Cora Cooks Pancit!

Thursday, July 23rd, 2009

If you’re in Evansville, Indiana on July 25th, come out and meet Kristi Valiant, illustrator of Cora Cooks Pancit! She’ll be autographing books at Barnes & Noble (624 South Green River Rd) at 2:00pm. Kristi says she’ll be bringing her red apron and some pancit for everyone to taste.

Cora Cooks Pancit is a lovely story about a Filipino girl who cooks her favorite noodle dish with her mother. However author Dorina Lazo Gilmore notes that it is not just about cooking pancit and neither is it a book just for the Filipino audience. “It is about celebrating the family. It is about cooking with your parents.

Here’s a review of the book from publisher Shen’s Books:

Cora Cooks Pancit tells the story of Cora who loves being in the kitchen, but always gets stuck doing the kid jobs like licking the spoon. One day, however, when her older sisters and brother head out, Cora finally gets the chance to be Mama’s assistant chef. And of all the delicious Filipino dishes that dance through Cora’s head, she and Mama decide to make pancit, her favorite noodle dish.

With Mama’s help, Cora does the grown-up jobs like shredding the chicken and soaking the noodles (perhaps Mama won’t notice if she takes a nibble of chicken or sloshes a little water on the floor). Cora even gets to stir the noodles in the pot—carefully– while Mama supervises. When dinner is finally served, her siblings find out that Cora did all their grown-up tasks, and Cora waits anxiously to see what everyone thinks of her cooking.

Dorina Lazo Gilmore’s text delightfully captures the warmth between mother and daughter as they share a piece of their Filipino heritage. With bright and charming illustrations by Kristi Valiant, Cora’s family comes alive as Cora herself becomes the family’s newest little chef.

To read a great interview with author Dorina Lazo Gilmore, visit Tarie’s blog Into the Wardrobe.

"Who is the Filipino Child?" – SCBWI event highlights

Sunday, January 27th, 2008

The Philasia branch of the Society of Children’s Book Writers and Illustrators kicked off the new year with a speaker event featuring award-winning Filipino children’s book author and SCBWI member, Lara Saguisag.

The author of There’s a Duwende in My Brother’s Soup, Tonyo’s Wishes and Cat Eyes, and co-editor with April Yap of Nine Supernatural Stories, Laura Saguisag’s newest book, Children of Two Seasons: Poems for Young People, was published in December of 2007, after winning the 2006 Writing for Children Chapbook Series, a writing competition organized by the Writing Program of The New School University, in New York, known for its commitment to creative writing. The poems in the book, illustrated by emerging Filipino illustrator Hubert Fucio, describe the everyday adventures, thoughts and feelings of young children, as well as their take on simple things such as animal sounds, grandparents’ stories, etc.

Held on January 7th at Fullybooked, a bookstore in Makati City, Philippines, Lara’s talk focused on exploring notions of childhood and “Filipino-ness” in Filipino’s children’s literature. When I asked Lara why this topic, she responded:

I spent the past three years writing in New York City. I was very excited to be there, but it slowly dawned on me that my idea of childhood was very different from that of my American peers, and how our writing for children was greatly affected by our different notions. Many of my classmates often thought I was writing “too young” for my intended age group, so I came to realize that that was because the children I knew in the Philippines seemed to me much more “dependent” than their American counterparts.

It may seem very obvious to state that children in the U.S. are different from children in the Philippines. I do feel, however, that many children’s book writers tend to assume that there is a “universal” kind of childhood (childhood as a happy time, free of labor and worries, a time for children to be protected), when, largely, this is a conception of childhood that began among Western middle-class families.

Lara, who is a Presidential Fellow at Rutgers University in New Jersey, NY, where she is completing her PhD in Childhood Studies, began her lecture with a simple question: “Who is the child?” (more…)