Excitement in London, excitement at PaperTigers!! 33rd IBBY International Congress!

Monday, January 30th, 2012

Excitement is building in London, England as the city gets ready to host some once in a lifetime events this summer! Athletes from over 200 countries will converge in London July 27 – August 12  to take part in the 2012 Summer Olympics. Two weeks later (August 23 – 26) children’s literature enthusiasts from around the world will gather at London’s Imperial College for the 33rd IBBY (International Board on Books for Young People) International Congress. Here at PaperTigers excitement is also building as we have just learned our editor, Marjorie Coughlan, has been chosen to present her paper at the 33rd IBBY International Congress Parallel Sessions!

The main theme of the 2012 Congress is Crossing Boundaries: Translations and Migrations. Participants will explore how books and stories for children and young people can cross boundaries and migrate across different countries and cultures. The congress will look at issues such as globalisation, dual-language texts, cultural exchange and the art of translation. The programme outline has just been released and can be seen here.

Marjorie’s paper, Escaping Conflict, Seeking Peace: picture books that relate refugee stories, draws attention to picture books in English from around the world about children and young people who have been forced from their homes because of conflict. These are important stories that need to be told, whether they are biographical or fictionalised accounts, for understanding of the past, healing in the present, and hope for the future. Her paper arose in part from PaperTigers’ August 2010 issue that focused on Refugee Children and the abstract for her paper can be read here…. (more…)

Week-end Book Review: Mali Under the Night Sky by Youme

Saturday, June 18th, 2011

Youme,
Mali Under the Night Sky: A Lao Story of Home
Cinco Puntos Press, 2010.

Age 6-9

In Mali Under the Night Sky, Youme beautifully renders the true story of Malichansouk Kouanchao, who, the flyleaf tells us, “walked from Laos to Thailand when she was five years old.” Bordered watercolor paintings capture the simple beauty of her early life in Laos—napping with her family, catching tiny fish in the rice paddies, making spicy traditional foods with her aunts—with key words translated into Romanized Lao as well as the original Lao script.

“But something was changing where Mali lived…Fighting in neighboring countries was bringing danger to the land and the people. Even the birds were disappearing.” Youme pictures a child at the edge of her house, the wide space beyond empty to the horizon. It’s not safe to stay any longer. After a leave-taking that includes the traditional tying of strings around the wrists of each departing family member, Mali, her parents and siblings cross the broad Mekong, offering ritual flowers and rice with prayers for safety. They are met the next day by soldiers and are imprisoned with other refugees. Things look dark, but the strings on her wrists remind Mali of her home, and when she tells the others her happy memories, “their hearts were safe…soag sai—blessings.”

The real Mali, now a beautiful young woman, is pictured on the front flyleaf along with an introduction to her present work as an artist and anti-war advocate. At the back of the book, one of her paintings is reproduced beside her message to young readers: “…when we share about where we have come from, we all find that our homes are safe in our hearts…” A further statement by Oscar-nominated documentary filmmaker Thavisouk Phrasavath describes the effects of war on children and how books like Youme’s about Mali are a balm to heal those traumas.

Cinco Puntos Press has made a significant contribution in publishing Mali Under the Night Sky. Its tender images and heartfelt words will touch children everywhere. While it ends with Mali in prison, young readers also learn of her subsequent success in life and dedication to healing the wounds of war. The book’s value to Laotian families in diaspora is of course incalculable.

Charlotte Richardson
June 2011

Primary Source Hosts a Global Read of The Red Umbrella by Christina Gonzalez

Thursday, February 24th, 2011

Earlier this year I blogged about Primary Source when they hosted a Global Read of Mitali Perkins‘ book Bamboo People.  On March 2nd Primary Source will be hosting a new Global Read, this time focusing on Christina Diaz Gonzalez‘ YA book The Red Umbrella. The online discussion forum will be followed by a live web-based session with Christina on March 9th from 3:00 – 4:00pm EST.  Anyone interested in global issues is welcome to take part in this free event but must register online here.

The Red Umbrella follows a 14-year-old Cuban girl and her brother sent by their parents to live in the United States during the tumultuous period of 1960s Cuba. Christina says the story was ” loosely based on the experiences of my parents, mother-in-law and many of the other 14,000 children who participated in Operation Pedro Pan.”

Talking about why she wrote the book, Christina says:

“Obviously, this is a personal story and part of my family history. In fact, it’s an important part of American history and yet there wasn’t much written about it, especially from the point of view of the children who experienced it. The book showcases how the U.S. has always been a haven for those seeking refuge from injustice and oppression and how average Americans have stepped up to help those in need, even if they were foreigners in our country. I also wanted to show the pride immigrants (in this case Cubans) have for their homeland, but how, in the end, family is what matters most… home is not a physical place. It’s where you feel you belong, where you are surrounded by people who love and accept you.”

The Red Umbrella has been appearing on many YA book lists since being published in May 2010, including ALA/YALSA’s 2011 Best Fiction for Young Adults. You can read an interview with Christina here, and there is also an amazing book trailer made by Christina’s brother-in-law:

Pegi Deitz Shea: Reading About and Reaching Out to Refugees

Thursday, September 30th, 2010

As we come to the end of our two-month focus on Refugee Children, there’s just time to remind ourselves of the important role books have in helping children to gain insight into traumatic events around the world, and to develop their own emotional response to them. We are fortunate to have so many gifted writers who are now writing such stories for children and young people of all ages (and publishers who are making these stories available). One of these writers is undoubtedly Pegi Deitz Shea, who has written about this far more eloquently than I ever could in her recent Personal View for PaperTigers: Reading About and Reaching Out to Refugees. Here’s an extract to ponder:

During the Vietnam War, I wished I had books about refugees, because the TV news overwhelmed me. As a child, I couldn’t process those images: Why are the children running? Did we hurt them? I thought we were supposed to be helping them? Will the children be okay? Today, the same need is exponentially true for youngsters. They are so barraged with audio-visual stimuli that it takes literature for them to slow down, absorb, share and process what’s going on in the world. And it takes teachers and parents to initiate that process.

Violence has become casual, entertaining, ubiquitous in the U.S. In Abe in Arms, my first novel for teens, Abe comes to America as an adopted Liberian war refugee. He receives initial therapy to help him deal with the loss of his family. But the deeper he gets into the American teen culture – sexual pressure, competitive sports, violent entertainment, substance abuse – the more absurd and worthless life becomes to him. These so-called “normal” teen experiences awaken in Abe untold traumas of sexual abuse and drunken days of slaughter. He becomes dangerous to himself and to others.

Without literature like this – and trusted adults to share it with – how can kids growing up far from disaster zones become aware of the life-and-death situations their counterparts face around the world? It is not only war, but also shattered economies and natural disasters that create refugees. But to kids tuned into the latest celebrity debacle, the earthquake in Haiti is old news, Hurricane Katrina is ancient news and the 2004 Tsunami in the Indian Ocean is etched on stone tablets. At the time of those tragedies, many schools generously and immediately responded to the call for aid. But the consequences of these events last a long time. Without books that last, how can we expect memories to last? How can we expect children to develop a lasting commitment to caring?

Books at Bedtime: The Lotus Seed

Monday, September 20th, 2010

The Lotus Seed by Sherry Garland, illustrated by Tatsuro Kiuchi

“My grandmother saw
the emperor cry
the day he lost
his golden dragon throne.”

So begins The Lotus Seed by Sherry Garland and illustrated by Tatsuro Kiuchi, a beautifully crafted story set in Vietnam and the U.S. The lotus seed of the title belongs right at its heart, both as a souvenir and talisman, and as a link across generations.

When she saw the emperor cry, the narrator’s Bà (grandmother) picked a lotus seed to remember him by, and from then on it became her most treasured possession, carried in her pocket for luck when she got married, and later, when war in Vietnam meant she had to flee, brought with her to America to take up its customary place under the family altar. So when “Last summer/ my little brother” took the seed and planted it in the garden, Bà was understandably devastated – but then in the spring an amazing thing happens. A beautiful lotus flower grows in the mud, providing a concrete connection for the children with their heritage. Bà once again has a lotus seed, and so do her grandchildren. And following in her grandmother’s footsteps, our young narrator wraps hers in silk and hides it away – with the intention of planting it for her own children…

The narrative is simple and poetic, which emphasises the feeling of the cyclical passing of years. It also allows the horrors of the story to come through without being overly traumatic for young listeners. Tatsuri Kiuchi’s beautiful illustrations are particularly powerful here, showing grandmother as a young woman fleeing her village pulling her son behind her; and then as one of many passengers on a boat leaving Vietnam, only distinguishable because of her hand across her chest holding tightly onto the lotus seed.

The Lotus Seed is a moving story that is (more…)

Tropical Secrets: Holocaust Refugees in Cuba

Thursday, September 2nd, 2010

tropical-secretsFor the month of September, we will continue to explore the topic of Refugees in children’s books. Today I would like to share a book I recently came across on the topic: Tropical Secrets: Holocaust Refugees in Cuba by Cuban-American poet Magarita Engle (Henry Holt & Co, 2009). This is the author’s third novel in verse about Cuba (the previous two were the award-winning The Poet Slave of Cuba and The Surrender Tree), and this time her story takes place during WWII, when when the rise of Nazism led to a severe rise in refugees from Germany trying to find safety in other parts of the world.

A historical note at the end (and readers may want to consider reading it before getting started), helps contextualize the story, which is told, mostly, in the alternating voices of Daniel, a 13 year-old German Jewish who escapes Germany in 1939 after being separated from his parents, and whose ship is finally allowed entry in Cuba after being turned away from the U.S. and Canada; and Paloma, a 12 year-old girl who, unbeknownst to her father, is (more…)

Mitali Perkins' Bamboo People Book Launch Party

Thursday, August 26th, 2010

Following up on my post from last week, Mitali has graciously allowed us to share her blog post about the event here:

A thousand thanks to Porter Square Books in Cambridge, Ma and to my publisher Charlesbridge for hosting my Bamboo People book launch party. I always get nervous, so I greatly appreciated everybody who came and sent notes of encouragement from near and far. I’ve posted a few videos below, and here are some recaps from others who attended:
Charlesbridge, Walk the Ridgepole, Not Just For Kids, Britt Leigh’s Brain on Books, and The Papa Post

Arrived to find this gorgeous bamboo plant sent from Portland, Maine by Curious City‘s Kirsten Cappy, Jamie Hogan (who illustrated my book Rickshaw Girl), Annie Sibley O’ Brien (After Gandhi), and King middle school librarian Kelley McDaniel. Thank you so much, ladies, for your love and support!

I loved watching people mingle and meet.


My buddy Deb Sloan is one of the best book cheerleaders on the planet.


Authors who write for adults don’t get love like this.

Porter Square bookseller Nathan exuded hospitality. Thank you! I’m holding the bamboo bookmark giveaways I picked up a couple of weeks ago at the Chiang Mai Night Bazaar.

Introducing the book
Reading an excerpt of BAMBOO PEOPLE

Books at Bedtime: The Roses in My Carpets

Thursday, August 19th, 2010

The Roses in My Carpets by Rukhsana Khan, illustrated by Ronald Himmler (Holiday House, 1998)A young Afghan boy shares his life and dreams for the future with us in The Roses in My Carpets by Rukhsana Khan and illustrated by Ronald Himler (Holiday House, 1998), a beautiful, thought-provoking picture book set in a refugee camp in Pakistan. He doesn’t like school but loves the afternoons he spends weaving carpets from brightly colored threads that all hold special meaning for him: although “Everything in the camp is a dirty brown, so I do not use brown anywhere on my carpets.”

One day his work is interrupted by the shocking news that his sister has been badly hurt. He runs to the hospital. His mother is already there, too distraught to think rationally. Our young narrator takes charge, sending his mother home while he waits for news at the hospital. Fortunately, this being a children’s story, the news is good – which in turn allows for a breathing space that alters the nightmare of conflict he describes at the beginning of the book: that night his dreams open up to allow a tiny space out of danger for him and his beloved family.

Reading a story that includes issues of conflict and hurt needs plenty of thinking and discussion space around it, especially at bedtime – but Rukhsana Khan has written this story so deftly that they too will be comforted by the ending. This wonderful book includes a lot of incidental detail, such as the muezzin calling people to prayer and the boy’s musings about his overseas sponsor. Particularly convincing is the way the boy and his mother can hardly eat at the end of the day, after their terrible fright; and also the reality depicted of a boy who is very mature – who has had to grow up too quickly and take adult responsibilities on his shoulders. The attention to detail also carries over into the fine ilustrations – and young readers, and perhaps adults too, may be particularly struck by the mud buildings in the refugee camp.

I have included The Roses in My Carpets in my Personal View for our current issue of PaperTigers, which focuses on Refugee Children. Rukhsana also talks about the book in her interview with us last year; and do listen to her reading it here. On her blog, she has been discussing Ramadan recently – and I particularly enjoyed this post with an Afghan fable. Yesterday Aline pointed to some books for children that focus on Ramadan – including another of Rukhsana’s…

And please, please spare a thought for all those caught up in the floods in Pakistan, including Afghan refugees like the boy and his family in The Roses in my Carpets. If you’re looking for a charity who are sending relief, take a look at Sally’s post for some links.

Mitali Perkins’ launch for her new novel "Bamboo People" ~ August 19th

Monday, August 16th, 2010

Bamboo People by Mitali Perkins Charlesbridge, 2010.Our current issue of PaperTigers focuses on Refugee Children and one of the highlights in the issue is an interview with author Mitali Perkins about her latest novel, Bamboo People. The novel is about children caught up in conflict in modern-day Burma and, once again, as she has done in her previous novels, Mitali illustrates the tension of characters caught between cultures, but in Bamboo People the backdrop is war, and the stakes are higher than ever. This is Mitali’s first novel to feature male characters and has been receiving rave reviews since it was released on July 1st. Here’s an excerpt from our review of the book:

This fascinating story shines a light on the desperate situation of those affected by current Burmese policies and will help educate young readers about that situation in particular and the vagaries and confusion surrounding conflict in general.  The characters, Perkins’s first male protagonists, are very thoughtful, easy to engage with, and surprisingly similar.  In fact, as a reader, it felt as if Tu Reh and Chiko could have been the same person had circumstances not shaped their lives so differently.  This juxtaposition is absolutely brilliant and illustrates the point that war makes enemies out of people who, in a different context, would become the best of friends.

On Aug 19, from 7 – 8:30 pm, Porter Square  Books in Cambridge, MA, USA will be hosting a book launch party for Bamboo People and Mitali will be in attendance. Everyone is welcome to attend and light Burmese refreshments will be served. For more details click here.  Also be sure to check out Mitali’s blog Fire Escape and her Facebook page as she will be writing about the launch and posting some pictures too, I’m sure!

Poetry Friday: Home of the Brave by Katherine Applegate

Friday, August 13th, 2010

Home of the Brave by Katherine Applegate (Square Fish, 2007)Katherine Applegate‘s beautifully crafted and immensely readable novel in verse, Home of the Brave, has as its narrator Kek, who begins his story at the moment his plane from Sudan touches down in America. As he adapts to his new home with his Aunt and older cousin Ganwar, we learn about his roots and the life he has had to leave behind him as a result of conflict; and we follow him through trials and tribulations, as he makes friends and gets a job looking after a cow, who eventually has a transforming effect on his life – and becomes the centerpiece of a glorious climax.

Readers will feel drawn to Kek, and will want everything to work out for him. They will empathise with the happy, fun-loving boy who is always there, even if he is sometimes difficult to find under the strains and stress of his situation. This extract makes you laugh along with Kek and then brings you up short with the stark reality of the effect of conflict on his life:

“My brother Lual was Ganwar’s age,
and just as tall.
Maybe that’s why he tried
always to tell me what to do.
[...]

I would laugh,
and once I even slipped
two snakes onto his sleeping mat
while he lay snoring.
The whole village awoke to his screams.
I know it was wrong to do,
but they were harmless snakes,
and when I saw Lual’s face
I laughed until
my eyes rained.

Every day Lual scolded,
and every day I thought,
Lual, please just be my brother.
I don’t need two fathers!

I didn’t know that too soon
I would not have any.”

Our current issue of PaperTigers focuses on Refugee Children. Do take a look at our new features and reviews.

This week’s Poetry Friday is hosted by The Stenhouse Blog – head on over!