When we began to think about creating an online book group that would appeal to readers of all ages, there were classic titles that came quickly to mind. Finding books that corresponded to the PaperTigers’ goal of understanding different cultures through children’s literature was a challenge and an opportunity for exploring new reading adventures.

I was lucky. The first book I found on my initial foray into this new world of books that would appeal to both adults and children was one that immediately captured my heart and mind—Naming Maya by Uma Krishnaswami.

I’ve worked in bookstores for decades but this novel was one that I hadn’t encountered before. I was eager to hear other people’s opinions of it and to have the chance to talk about it, the way we readers always feel when we find a book that we love.

The comments for Naming Maya have been as rich and as thoughtful as I had hoped they would be. Readers have agreed that this is a book for mothers and daughters to read together, that it evokes India in a way that could describe Hyderabad as well as it does Chennai, and that the theme of dualism is expressed quite beautifully in the idea of the “Two-Gift.” As Maya herself concludes about trust, in an observation that applies to many things in this novel–and in life–”You keep some, you give some away.”

What makes this book one that I can return to with pleasure for reading over and over is, above all, the way that three very strong women of different generations are portrayed, Maya, Kamala Mami, and Maya’s mother. Together they make a household that is both temporary and enduring, and Uma Krishnaswami makes each of them enduring figures in the reader’s imagination. It is no small feat to be able to give life to characters of varying background and chronological age, but it is accomplished so well in Naming Maya.

Not only is Chennai vividly evoked in this book, but so is its culture and values. Uma Krishnaswami delicately and without editorializing shows through Maya’s eyes different ways of accepting marriage, of being a teenager, of growing old. And she so wonderfully shows how food can be a common language when living in a place where three different languages are routinely used and in all of them words sometimes fail.

“I hear you need a cook,” Kamala Mami announces to Maya and her mother, the day after their arrival in India. They do indeed, more than they know. Kamala Mami’s food brings them slowly together–right up until a dish made from her recipe crashes to the floor and releases Maya’s torrent of hitherto unspoken emotion.

The one complaint I have about this novel is that it hasn’t yet been released in a paperback edition, which would make it accessible to many more readers than it already is. When I recently told a fellow-bookseller about Naming Maya, his response was that far too few books address the subject of bi-cultural children, a point that both Aline and Katia touched upon in our discussion. Uma Krishnaswami has found a universality in belonging to two different worlds. Through her art Maya’s duality becomes a new way for readers of all ages to look at their own lives, and that is an act accomplished by literature that is truly great.

If you haven’t yet read this book, I envy you the joy of experiencing it for the first time. If you know a young girl with whom you can share it, I envy you even more. If you’ve read it already, discover the joy of reading it again–and add your opinion to mine in the comments field if you agree that it should be reissued in a paperback edition, please!

Ah, Bologna!

Aline and I have much to tell about our fantastic trip to the Bologna Children’s Book Fair at the beginning of this month. There really is no better event to take the pulse of the children’s book publishing world: and what a world that is!

We’ve met so many interesting people and enjoyed putting faces to names of organisations and publishers; we’ve attended inspiring presentations; and have been dazzled by the quality and endlessly varied styles of the illustrations we’ve come across, both in the books we have browsed through and as part of the fair’s special exhibits. The overall impression was of immense industry – people in deep discussion, buying and selling rights; looking through artists’ portfolios; rushing between presentations – what a buzz!

Over the next few weeks, Aline and I will be posting on a variety of topics. In the meantime, here are some of the highlights for us, in no particular order:

Looking at the proofs for Ed Young’s new book, Wabi Sabi (written by Mark Reibstein);
Meeting librarians from all over the world at a session organised by the IFLA (International Federation of Libraries Associations and Institutions) – so lively that we were asked to be quiet…! – and hearing IBBY President and Canadian Groundwood Books publisher, Patricia Aldana’s presentation entitled “Books as Mirrors”;
Attending the launch of the International Youth Library’s White Ravens 2008 catalog;
Listening to poets Michael Rosen (UK Children’s Laureate) and Jorge Lujan’s contributions to a panel titled “Poetry Break: Poetry in Children’s Books”;
Attending the award-presentation of the Bologna Raggazzi “New Horizons” Award to Chennai-based Tara Publishing, for the hand-made book The Nightlife of Trees, and watching how the book came into being;
Hearing illustrators Robert Ingpen and Paul O. Zelinsky talk about their contributions to the book Artist to Artist: 23 Major Illustrators Talk to Children About Their Art (the proceeds of which go to the Eric Carle Museum of Picture Book Art.)…

Well, I could just keep going – and I will. And so will Aline: so keep coming back as the full picture unfolds…

The latest Tiger’s Choice, Naming Maya, by Uma Krishnaswami, is a response to the Books at Bedtime Reading Challenge that was extended to all readers of PaperTigers. Thanks to Marjorie for giving us all a chance to read our way through different countries and cultures–this challenge opens up a whole new reading adventure for those of us who choose to take it.

As Naming Maya unfolds, many of its readers are presented with a new country, new codes of behavior, new flavors, smells, and daily landscapes. The taste of “honey and chili powder” mingled on the tongue, milk delivered by bringing a cow to a doorstep and milking it in view of the person who is soon to drink it, listening to the call of a brain-fever bird, seeing a tree that is adorned with flowers, coins, and a statue of ” the plump, cheery elephant-headed god, Ganesha,” these things are all vividly described and give a glimpse of Chennai, India.

Or it does for me. How about you? As you read, do you see Maya’s new world, and experience her confusion? Do the differing values of her mother’s home country that frustrate this New Jersey girl become clear as the book progresses? And is memory a gift or a curse?

As the Tiger’s Bookshelf progresses on its own adventure of searching for readers who will take part in our online book group, the question persists of how do non-virtual, more conventional book groups solve the dilemma of having members take voice in their group discussions? If you belong to a book group that has found solutions to the silence, please let us know! How do you entice the shyest, least confident members to voice their opinions and express their thoughts?