There are times when that oasis of time before sleep provides the perfect space for gentle reflection on what might have gone slightly differently during the day: for example, a moment of selfishness or irrationality. Stories which pinpoint these emotions for young children are found in the series of Zen Tails by Peter Whitfield and illustrated by Nancy Bevington (New Frontier Publishing). I was fortunate enough to meet Peter at the Bologna Book Fair, when he introduced me to the books: and I have to say, I was captivated by them then and continue to be so. Each story is a beautifully tuned fable which gets its message across without preaching – but the moral is made clear at the end, alongside the traditional Zen story it is based on. This format allows the stories to resonate deeper, providing further food for reflection. Indeed, I would say that Peter, himself a lecturer in philosophy, has recognised that children can take the pill of the spelt out message along with the sugar of the parable.

At present there are four stories in the series, Bruno Dreams of Ice Cream, Up and Down, No Presents Please and Are You Sure? The books have their own website, where you can find e-versions of the books and meet the characters – who all have witty names like Shelly the Tortoise and Grizzel, a (grumpy) bear. Wise characters come in such guises as Guru Walter Wombat (this is an Australian series, after all) and Saint Bernard (a dog). You can watch Peter introducing the characters and the rationale behind them here. Children will identify with them and with the situations in the stories; and the illustrations are also engaging, with unobtrusive but again witty details. There’s something in there for the grownups too, like the titles of Gilbert B. Beaver’s books.

These stories are very much grounded in the Zen tradition and follow Buddhist principles – so, for example, Grizzel comes to his senses when he realises that he has stomped on a daisy (and I have discovered that, as in the illustration, Australian daisies are yellow…). However, these stories are relevant to all children, no matter what their religious background. They would work well in school (and there are resources on the website), as well as being just right for a special bedtime story.

One of Australian illustrator Sally Rippin‘s recent children’s books (published in 2005 in Australia, 2007 in the U.S.) opens upwards rather than outwards. I asked Sally how she and author Whitney Stewart decided on the format for Becoming Buddha. Here’s her reply:

“Whitney suggested working together on a picture book, and I approached my publisher at the time with her ideas. They agreed to publish our book, and it was then left up to me to illustrate Whitney’s text. I decided to have Becoming Buddha open so the illustration reads vertically on the double page to represent an ancient manuscript, or a thangka. From what I know about Buddhism, I believe opening the book in this way makes you more conscious of your actions. Fortunately, the publisher agreed to this format.

“Painting the face of Siddhartha was quite challenging, because I knew there were certain rules about how the Buddha could be represented in art, and I also wanted to make the paintings my own representations of Siddhartha, the man, before he became enlightened. Again fortunately, Whitney was able to have a representative of the Dalai Lama approve the artwork before it went to press, so that gave me confidence.”

Melbourne poet and blogger Kris Helmsley had some interesting observations about the layout and Buddhism when he introduced Sally and Becoming Buddha at a book launch in June 2007; read his comments here.

Another vertically read book with an equally conscious layout is Caldecott Medal winner Ed Young’s Beyond the Great Mountains. Its cascading-style pages, illustrating Chinese characters and landscapes, also create a special physical awareness for young readers.