The young cast did a wonderful job of telling the story of four Cinderellas from four different cultures and proved that Cinderella can indeed have brown eyes and black hair! It truly was a multicultural experience with aspects of traditional Chinese theatre, a Korean fan dance, Tae Kwon Do martial arts and the singing of a sacred First Nations song that has been passed down from generation to generation. Director Mandy Tulloch says she wanted to ensure that each version of Cinderella was shown in a manner that was true to its respective culture:

Advisors were consulted to make sure the play was as culturally responsible as possible. In the segment from China, we utilize the traditional method in Chinese theatre where the audience is asked for permission for the performance to take place. We also have the property men as well. For the First Nations piece, we were granted permission by the local elders for the performance to take place. They also blessed the show and worked with us on the music and mask making. In the Korean segment, which was written specifically for this show, you will see an authentic Korean Fan Dance performed by kids as well as award winning Tae Kwon Do artists.

Multicultural versions of Cinderella abound in children’s and young adult books too. To get a sense of what’s out there, check out our blog posts Globe-trotting Cinderella and Bound by Donna Jo Napoli and Books at Bedtime: Fairy Tales (2); and read this review of Abadeha: The Philippine Cinderella, which forms part of our current focus on the Philippines…

One of the books I brought along this year was Donna Jo Napoli’s young adult novel Bound. Initially intrigued by the book’s cover, one month after reading it I am still entranced by the story! Set in a small village during China’s Ming period, Bound is a Chinese version of Cindrella. Reviewer Jennifer Mo says:

This is not your familiar, comfortable Cinderella story. There are no magic wands or pumpkin coaches, and happily ever after happens only in, well, fairy tales. Real life offers few of these sugar-spun fantasies, particularly for three unsupported women in a Ming dynasty Chinese village. Fourteen-year-old Xing Xing, her stepmother and her half-sister Wei Ping are each bound: socially, ideologically and financially. The physical, crippling binding of Wei Ping’s feet is a metaphor for an encompassing system of patriarchal privilege. But in another sense of the word, to be bound is also to be heading towards something — not so much a fate, as a rare and precious choice of fates.

Donna Jo Napoli writes for all ages, from picture books through young adult books (great reads for adults too!); and is the recipient of many book awards. Her writing ranges from contemporary fiction to fantasy to historical novels (my favorite!); and her books have been translated into over 13 languages. She also writes mathematics and science tales, as well as books geared toward helping deaf people learn to read. Several of her books are re-tellings of fairy tales: Hansel and Gretel in The Magic Circle, Rapunzel in Zel, Jack and the Beanstalk in Crazy Jack, Rumpelstiltskin in Spinners, and Beauty and the Beast in Beast, which Napoli sets in ancient Persia.