Much has been written already about SPT book choice Little Leap Forward: A Boy in Beijing by Guo Yue and Clare Farrow  (Barefoot Books, 2008) in PaperTigers, but one more post won’t hurt, I’m sure!  This book was selected as an SPT book because it told a good story and was beautifully illustrated.  Little Leap Forward, the boy in the story, lives in Beijing in 1966.  He captures a songbird, but it does not sing.  Why?  Set as the story is at the advent of the Cultural Revolution; the caged bird becomes a metaphor for the larger scene about to unfold.   The story is powerfully and simply told.  I found myself near tears, reading at the end, at how Little Leap’s life was mirrored in the biography of one of its writers, Guo Yue.   The story also made the ‘leap,’ as it were, to the stage as well in a theatre production in the UK which PT contributor, Marjorie wrote about in this post. 

Little Leap Forward is an illustrated novel and is for middle readers.  It made an interesting counterpoint to the other selected SPT title, Grace Lin’s Where the Mountain Meets the Moon, a story about a spirited young Chinese girl and her adventures in a mythical and magical ancient China.  Although China is loosely the connection between these two books, they are as different as — well, apples and oranges!  Both, however, are ripping good reads and are also gorgeously produced.  Do check them out if you have a chance.

Written and directed by Alison Duddle and based on the book Little Leap Forward: A Boy in Beijing, written by Guo Yue and Clare Farrow, the stage production of Little Leap Forward is touring again this Spring in the United Kingdom. Click here to see the tour dates and here to read Marjorie’s post from last year when she went to the show. Little Leap Forward is presented by the Horse + Bamboo Theatre Company in creative partnership with Barefoot Books Ltd and The Royal Exchange Theatre. With set design by Bob Frith, the production incorporates mask, puppetry, shadows and animation with original music by Loz Kaye. The music also includes the distinctive flute playing of Guo Yue (recorded).

Little Leap Forward: A Boy in Beijing has been selected for the 2010 Spirit of PaperTigers Book Set. A wealth of information about the book can be found here on our PaperTigers main website.

Established in 1992 by Nancy Traversy and Tessa Strickland, Barefoot Books is a children’s book publisher based in Bath, UK and Cambridge, Massachusetts, USA. It publishes multicultural books that, in addition to providing high-quality content, pay great attention to art and design. One of the company’s core values is to use art and stories “to create deep and lasting connections—whether it’s a child and parent connecting over a book; a child connecting to the universal wisdom of other cultures; or a broad network of people connecting through shared values and the desire to help children become happy, engaged members of a global community.”

Tessa Strickland, Barefoot Books’ co-founder and editor-in-chief, answered our questions about Little Leap Forward: A Boy in Beijing, one of the seven books selected for inclusion in our Spirit of PaperTigers Book Set Donation Project, and about other topics related to the company and to multicultural children’s literature.

Q&A

PT: How did Little Leap Forward: A Boy in Beijing come about as a project for Barefoot Books?

TS: This project came about in quite a circuitous way. First, I was contacted by Clare Farrow, who wanted to know if I was interested in having her retell any traditional Chinese tales. In the course of our conversation, I learnt that she and her husband, Guo Yue, had just completed a manuscript about his life, Music, Food and Love. It so happened that this telephone conversation came about just as I was starting to cast around for stories for older readers, and I was fascinated by what Clare told me about Yue’s childhood in Beijing. So, I asked to read a copy of the manuscript.

PT: When you acquired the manuscript, did you know from the get go that you would publish it as an illustrated middle grade book, or was the decision regarding full plate illustrations made later in the process?

TS: When I read Music, Food and Love (Piatkus, 2006), I thought that the best way to tell Yue’s story to children would be to focus on the summer of 1966. The manuscript went through about four drafts and was a close collaboration between Yue and Clare, me, and an excellent editor, Anne Finnis. The decision to make full-plate illustrations was made once we had a manuscript that everyone was happy with.

PT: What can you tell us about the pairing of Guo Yue and Clare Farrow’s text with Helen Cann’s art?

TS: We have done a number of books with Helen Cann; I knew that she would be a delight to work with. Not only is she very talented, she is also extremely interested in developing her own style and in working
collaboratively. She had some very fruitful meetings and discussions with Clare and Yue, who were both extremely happy with her illustrations.

PT: How do you think the public’s attitude toward multicultural books for children has changed since Barefoot Books was founded, in 1992? Are there any major differences between the US and the UK markets in that regard?

TS: As Barefoot has always focused on multicultural books, it is hard to say with very much claim to objectivity how (more…)

Created by Kid’s Kitchen author, Fiona Bird, Barefoot Books have some Halloween recipes available to download - from Slimy Green Gloop to Icy Hand Snatchers, “these hauntingly healthy recipes might be creepy, but they’re also tasty” – so time to get cooking!

Last night we all jumped in the car after school and raced to Leeds to go and watch the beautifully crafted staging of Little Leap Forward. Adapted from the book, by Guo Yue and Clare Farrow, illustrated by Helen Cann and published by Barefoot Books, it tells the story of events from Yue’s own childhood set against Mao’s Cultural Revolution in China.

A powerful combination of masked actors, puppets and shadow-box/animation, not to mention an atmospheric score and cleverly versatile set, the story is told “only” through mime. We followed Little Leap Forward’s dawning awareness of the importance of freedom, both through the political events unfolding around him and through his love for a songbird captured for him by his best friend. No matter how much Little Leap Forward coaxes and bribes with seeds, the bird cannot sing from within the confines of a cage. A “scary” dream sequence that had Little Brother on the edge of his seat alerts Little Leap Forward to what he has to do and he sets the bird free.

I have to say that this particular performance will be looked back on by us – and probably by the cast – with very mixed feelings. There was a group of children in the audience from a local School for the Deaf, who were entranced – picking up enough of the vibrations of the music to get a feel for it, and able to particpate fully in the action on stage. Wonderful. However, the first three rows were taken up by a youth-group outing and it very soon became evident that the children did not know how to behave in a public, live performance. All the more credit to the production, then, that in the scene when Red Guards arrest Little Leap Forward’s mother (an event related in Guo Yue and Clare Farrow’s book for adults, Music, Food and Love), there was not a sound from the auditorium.

Afterwards, the four actors/puppeteers gave (more…)

British poet, Judith Nicholls, has compiled a wonderful book of poems for children called Someone I Like: Poems About People (illustrated by Giovanni Manna.)  I discovered Nicholls’ work through The Children’s Poetry Archive, a wonderful website chock-a-block with recommendations of poetry for children.  In Someone I Like, Nicholls has assembled poems by various authors that look at human relationships in ways that children can identify with.  There are poems about friendship and about one’s parents.  There are poems about siblings, and about aunties and grandmothers.  What I liked about the poems was how emotionally frank many of them were.  In “Urgent Note to My Parents,” the child speaker says:

Don’t ask me to do what I can’t do
Only ask me to do what I can
Don’t ask me to be what I can’t be
Only ask me to be what I am

The accompanying illustration of a fed-up looking girl in overalls with a pencil in one hand and a sheet of paper in the other is very fitting!  In reading this book to my daughter, we were able to explore terrains of emotion that were new and sometimes surprising.  Poems, for example, about broken friendships and about a girl who tells her granny “you’ll have to be dying soon” were arresting and provocative.  Such poems engage the reader and require a response, and that is what good poetry should do for parent and child alike.  Compiler Nicholl understands this notion deeply and brings her experience as a poet, parent and grandparent to bear on her lively selections.

Someone I Like is published by an innovative press called Barefoot Books.  Their vision is to produce books that “celebrate the world’s diversity, encourage children’s independent spirits, and build their enthusiasm for reading, creativity and discovery.”  Someone I Like certainly fulfills that vision!

Poetry Friday this week is hosted by Anastasia Suen’s Picture Book of the Day.

If you are aged 14 and under, live in the UK or Ireland and love telling stories, then Barefoot Books’ newly launched Young Storyteller Competition will be right up your street.

Children are asked to submit a video of no more than 10 minutes, performing a story from the oral tradition – folk tales, fairy tales, urban legends or family stories; no script but “Musical instruments may be featured”.

Barefoot’s Editor-in-Chief Tessa Strickland comments:

The ability to tell a story is at the heart of culture – where would we be without it? By committing a story to memory and passing it on, the teller keeps alive a tradition that is thousands of years old. For young people, storytelling develops self-confidence, memory, imagination and speech. We are delighted to be offering a competition which enables youngsters from any background to share a story that they love and, in doing so, to develop skills that will stand them in good stead for the rest of their lives.

Fantastic prizes too: storytelling workshops, a first-prize of a week-end in New York; and a library of Barefoot books for a lucky school…

For details, check out the website.

Take a look at – and listen to – this delightful e-card from Barefoot Books: author Amy Tan narrates the poem from the recently-published Motherbridge of Love. Once you’ve heard the poem and been given a glimpse of the lovely illustrations by Jose Masse, you’ll understand why this would be a perfect book to read as a bedtime story, especially but certainly not only if you have adopted children of your own. There’s a special story behind it too, since the author of the poem is unknown: but it highlights the questions an adopted child might have about where they come from and who they are. I was fortunate to be able to catch up with Xinran, founder of the Mothers’ Bridge of Love charity, to whom the poem was sent and to which the royalties for the book will go – you can read the interview here; and here’s a photo of Xinran with Amy Tan, taken when they met recently during Xinran’s whistle-stop tour of the States.

Another recently-published picture-book featuring adoption is Grace Lin’s gorgeous The Red Thread: An Adoption Fairy Tale. It has all the traits of an enduring fairy tale – and love as the overriding principle. It creatively incorporates the “ancient Chinese belief that an invisible, unbreakable thread connects all those who are destined to be together.” This is something that many adoptive parents of children from China become aware of during their sometimes long, emotional journey through the adoption process. Grace has indeed turned it into the stuff of fairytales. She talked about the book in her charming interview with 7-Imps back in May; and Just One More Book featured it a few weeks ago.

Both these books are valuable additions to the slowly increasing number of picture-books which focus on adoption; and each in its own way has those qualities which will keep them special for years to come.

For more books featuring adoption, check out Rose Kent’s great Personal View on the PaperTigers main website: “Three Cheers For Adoption Books – And Why We All Should Read ‘Em”, with her recommendations for children of all ages. Chicken Spaghetti has put together a list of books for National Adoption month, as has Andrea Ross in her revealing podcast Thicker than Water: True Family Ties for Swimming in Literary Soup.

…And don’t forget, the auction of Snowflakes for Robert’s Snow: For Cancer’s Cure is still going on – Auction 2 starts tomorrow! Grace Lin’s own snowflake is featured in the PaperTigers Gallery along with others by artists from around the Pacific Rim…

Yesterday was National Poetry Day in the UK and the winners of the Foyle Young Poets of the Year Award were announced. One of the winning poems was written in the style of a mediaeval ballad but was a commentry on the prime-ministership of Tony Blair. The prizes include school visits and, for older winners, a week-long residential course – and, of course, having their poems published in an anthology – wow! When some of the winning poems are up and running on The Poetry Society’s website, I’ll add a link… here they are!

Stories in verse make really satisfying read-alouds. Children pick up the rhymes and rhythms and love to preempt what’s coming or chant along once the verse becomes familiar. Mine always surprise me by being able to quote what seem to me great tracts compared with what I would be able to come up with! As I’ve mentioned before, we love Julia Donaldson’s books and a favorite is her retelling of the Chinese legend The Magic Paintbrush, which reads in true ballad form, over many 4-lined rhyming stanzas, and with repetitions and recurring themes, such as the steaming pot of shrimps the young heroine Shen conjures up before her astonished family:

“Did you catch some shrimps, Shen?
Did you catch some fish?
Did you gather oysters
To fill the empty dish?”

It’s beautifully illustrated by Joel Stewart, who has a particular talent for illustrating poetry, from Lewis Carroll’s Jabberwocky to Carol Ann Duffy’s zany Underwater Farmyard, another book we have all enjoyed.

Reading this Magic Paintbrush (more…)

I have just received this lovely e-card from Barefoot Books, which I would like to share with you all – it’s based on their recently-published Whole World, which not only celebrates the world we live in but reminds us that we need to look after it – something that Barefoot Books are really focussing on with their new “Go Barefoot, Go Global” emphasis on environmental issues.

As well as family favourites like The Emperor who Hated Yellow, The Gigantic Turnip and The Great Race: The Story of the Chinese Zodiac, we love Barefoot Books’ anthologies of stories from around the world. Son Number One has taken The Barefoot Book of Knights out of the library on a regular basis over the last three years. I like its format of the traditional tales being woven into the story of a young steward who is learning to be a knight, although it does sometimes mean reading time goes on for much longer than you intended!

Generally, however, these anthologies are great for dipping into or for quenching a child’s thirst for “More, more, more!” without having to resort to carrying around great piles of books – a relief on train or plane journeys… Then, what is really great is that so many of Barefoot’s publications are also available in audio format and can be enjoyed on car journeys too – somehow, no matter how many times you hear them as child or adult, you never get tired of them. At the moment, my children particularly enjoy listening to Animal Tales From Around The World and Pirates (I love the story from Japan about Mochimitsu who is saved by his beautiful music). They like to have the book open too so they can follow the illustrations, which are always so vibrant and full of extra details.

And what about in your family? Which audio books do your children like listening to – and when?