Over the past few months the PaperTigers’ website has been focusing on  the theme of Water in Multicultural Children’s Books. If you haven’t visited the site lately do check it out and see what treasures we have compiled . Highlights include:

Interviews with:

Dutch photographer Taco Anema who tells us all about his project that took him around the world photographing children and water and resulted in his beautiful book Tales of Water.

Acclaimed author Linda Sue Park who talks with us about her award-winning book A Long Walk to Water.

The Illustrators’ Gallery which features the work of :

Acclaimed Indian artist Pulak Biswas.

Chinese artist Li Jian.

Water illustrations selected from previous PaperTigers Gallery features.

Personal Views:

A River of Stories: Water-Themed Stories for Multicultural Readers by Alice Curry (who we had a lovely chance meeting with at the 2012 Bologna Children’s Book Fair)

My Water Story by Deepa Balsavar

Book of the Month:

One Arm Point Remote Community School,
Our World: Bardi Jaawi, Life at Ardiyooloon
Magabala Books, 2010.

A stunning, encyclopaedic book put together by the children from the One Arm Point Remote Community School at Ardiyooloon in Western Australia, along with their School Culture Team, School Staff, and Community Elders, as well as others from the local community.

Be sure also to pay a visit to the PaperTigers Outreach site and find out all about our Spirit of PaperTigers project, seeking to further our goal of fostering empathy, understanding and peace, by focusing on books and water as ways of promoting education, literacy and development.

Continuing our Water in Multicultural Children’s Literature theme, we have two new features on the PaperTigers website.

A River of Stories: Water-Themed Stories for Multicultural Readers, a Personal View by Alice Curry, in which she discusses the superb anthology A River of Stories: Tales and Poems from Across the Commonwealth, she compiled recently, illustrated by Jan Pieńkowski and published by the Commonwealth Education Trust.  Here’s the opening to whet your appetite:

On the southern-most tip of Africa, the lonely Zulu goddess of rain, Mbaba Mwana Waresa, searches for love amongst mortal men, rainbows glistening in her wake. On the northern-most tip of Canada, the solitary Ice King guards his wintry lair yet dreams, secretly, of warmer climes. On the tropical shores of Australia, old man Mookari, god of the storm, rattles into town before stealing, quietly, away. In Nigeria, the impetuous water god, Olokun, paces the shining floors of his underwater palace, whilst in Ghana, the goddess Mawu transforms herself into a waterfall to nourish the parched and thirsty earth.

Water gods and goddesses, spirits and deities have fuelled our imaginations and nourished our beliefs since the beginning of time. Not only is water a vital physical presence in our lives, but also a powerfully imaginative and symbolic source of inspiration for writers and storytellers everywhere. In our increasingly threatened world, in which climate-related natural disasters are a daily reality for much of the world’s population, water-themed stories are an important and relevant way of encouraging sustainable, respectful and empathic attitudes towards the environment. It is currently estimated that half of the world’s population will be living under severe water stress by 2030; for today’s children, the conservation of a healthy natural environment has become a development issue of the highest priority.

Now head on over and read the rest of the article…

View work by acclaimed artist Pulak Biswas in our Gallery, including illustrations from his most recent book The Flute written by Rachna Gilmore (Tradewind Books, 2011)…

Compiled by Alice Curry, illustrated by Jan Pieńkowski, with a Foreword by His Royal Highness the Prince of Wales,
A River of Stories: Tales and Poems from Across the Commonwealth
Commonwealth Education Trust, 2011.

Ages 8+

What a fabulous anthology!  Seaside, riverside and wellside stories; rain, dewfall and rainbows; a sea-devil from Grenada; gosile ghosts from the Solomon Islands; Rain and Fire arguing in Namibia; Hermit crabs marching in the Bahamas and mother and son crabs walking crookedly in Sri Lanka; three brothers from Mozambique and three more from Kiribati; sailors and fishermen; the beautiful goddess Mawu of the Waters from Ghana; stars in the sky and in the sea… Such a wealth of legend and contemporary observation, all brought together by the unifying theme of water and through Jan Pieńkowski’s gorgeous illustrations.

Published to commemorate the 125^th Anniversary of the Commonwealth Education Trust, A River of Stories brings together each of the 52 Member States of the Commonwealth of Nations in a vibrant mix of traditional storytelling and poetry that highlights both individual cultures and universal human concerns.  By basing the book around water, anthologist Alice Curry immediately creates the potential for empathy among the book’s readers, for water is something that we all experience, though in different ways, as indeed Curry ponders in her thought-provoking introduction. The Prince of Wales, in his Foreword, also points out the way these stories and poems from a vast array of cultures and traditions are a way of “enhancing and explaining reality” and “encourage us to think about the kind of future we will pass on to our children and grandchildren, and the central importance of water to that future.”

As well as a lavish full-bleed double-page spread given over to each section title and a delightful illuminated letter introducing each story, Pieńkowski’s bold illustrations splash across every page: a monkey hangs from the header line here; there, the green “claw-like hand” of the malignant Nkalimeva from Swaziland holds tightly onto the dismayed elephant’s nose that stretches across the whole width of the book.  Pieńkowski’s iconic silhouettes and stylised use of color echo the full gamut of the shading possibilities of silk-screen printing to great effect, from solid overlay to beautiful gradations that belie the apparent simplicity of the design.

Some of the writing may already be familiar, such as Kenya’s entry, an extract from Verna Aardema’s now classic “Bringing the Rain to Kapiti Plain”.  Much of it will very likely be new, and with the sources given at the end, there is plenty of scope for further exploration.  Each story or poem is no more than a five-minute read and since each one begs to be read aloud, this is the perfect book to have on stand-by to take advantage of spontaneous readaloud opportunites.  It would be a good idea to keep it to hand in any case, as it’s likely to become a firm favourite with young readers.

Marjorie Coughlan
February 2012