2008 Governor General’s Literary Award Winners
Wednesday, November 26th, 2008The winners for the 2008 Governor General’s Literary Awards were announced last week by the Canada Council for the Arts. Her Excellency the Right Honourable Michaëlle Jean, Governor General of Canada, will present the winners with their awards in Ottawa on December 10. This year marks the 72nd presentation of the Governor General’s Literary Awards, Canada’s oldest and most prestigious awards for English and French-language Canadian literature. PaperTigers congratulates the following winners in the categories of Children’s Literature – Text and Children’s Literature – Illustration:
Children’s Literature – Text
The Landing written by John Ibbitson, Washington (D.C.), formerly of Ottawa and Toronto
“A superbly crafted story, The Landing takes us to the Ontario Muskoka region of the 1930s. As an interpretation of a place and time and a young man’s coming-of-age, it never falters. It is a novel as timeless as the music and the adolescent imagination that lie at its centre.”
Les trois lieues written by Sylvie Desrosiers, Longueuil, Quebec
“Sylvie Desrosiers has written a profoundly moving story about the difficult relationship between a father and son. The book takes us on an extraordinary adventure in the far North, a place where magic is closely connected to reality. A gentle reflection on courage, forgiveness, life, love and death.”
Children’s Literature – Illustration
Stéphane Jorisch, Montreal, The Owl and the Pussycat, text by Edward Lear.
“Light, poetic, playful, imaginative, bizarre and ingenious illustrations match the text superbly. Stéphane Jorisch’s art brings new colour and depth to this well-known poem. Sit down in an armchair with this book and let it transport you into its magical world.” Nominated in two categories in 2008, this is Jorisch’s fourth award as the winner in this category.
Janice Nadeau, Montreal, Ma meilleure amie, text by Gilles Tibo.
“Janice Nadeau uses a quiet, sober approach to illustrate the delicate subject of death. Her brushstroke evokes ashes and dust, and the restrained use of colour imbues Ma meilleure amie with an emotional charge that goes straight to the heart.”

















































