| Judy Sierra, ilIustrated by Meilo
So,
Tasty Baby Belly Buttons.
Alfred A. Knopf, 1999
Here is a rare gem a Japanese folk tale in which
the hero is not only a feisty female, but one who
wields both a sword and a spatula with great ease
and expertise. Tasty Baby Belly Buttons presents
an unforgettable character in Uriko-hime, who emerges
from a melon - imitating the origins that legendary
hero, Momotaro who was found inside a peach.
Fearlessly, Uriko sets out to rescue kidnapped babies
from the clutches of the oni, gigantic monsters
clad only in loincloths who consider baby belly buttons
a delicious treat.
Accompanied by her loyal dog, she is later joined
by a pheasant and a monkey. This brave company con
founds the huge monsters with their craftiness and
miniscule size. The ensuing battle between the behemoths
and their knee-high tormentors gets a little violent
but only in the Three Stooges tradition. The story
ends happily with the babies reuniting with their
parents, the oni pledging repentance, and Uriko
returning to her home, welcomed by her own doting
parents.
This story is fast paced. Even the illustrations
are drawn in such a manner as if to catch the speed
of Uriko's sword cutting through the air, her ponytail
and wooden clogs flying. The oni look more comic than
horrific with their outsized bellies and hairy knees
Strangely enough, the village children look like little
oni themselves with their chubby cheeks and bottoms.
Thus, even the premise of monsters seeking to gobble
up baby navels becomes less ominous. Having met Uriko
at birth, the young reader will sense right away that
all will go well in this tale, what with such a clever
and courageous child warrior.
Fatima Lim-Wilson
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