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Dean Barrett, illustrated by Tomaz Mok,
Boat Girl and the Magic Fish.
Village East Books, 2002
Anyone who has visited Hong Kong is familiar with
the boat people of Aberdeen Harbor - the fascinating
sea gypsies who fish, work, eat, sleep
and play on their brightly-colored junks and trawlers.
Dean Barrett uses this community as a backdrop for
a modern day Hong Kong fairy tale - the story of an
8-year-old girl named Kum-Choi (Golden Wealth) and
a magic fish who befriends her in times of need.
Kum-Choi, like many children of Hong Kong fisherfolk,
spends her childhood helping with daily chores: filling
water tanks, cleaning the poop deck and washing clothes
in wooden buckets. But holidays bring great excitement,
and in her free time she daydreams about sea monsters
and magic.
Her life changes one day when she is told that she
must live on land and attend school. She tries making
friends with her classmates, but they ridicule her
for being different. The magic fish is her only consolation.
Whenever Kum-Choi's tears reach the sea, the fish
comes to her rescue.
One day a typhoon strikes - a phenomenon that fisherfolk
recognize as the stars eating the clouds.
Kum-Choi's classmates are on a boat at sea, so she
calls on the magic fish for help. Together, the boat
girl and the fish courageously drag the classmates
to shore.
The ending is bittersweet, especially for young readers
used to happily ever after finales. Kum-Choi
elects to leave her loving family behind, in favor
of spending eternity as a marble statue, together
with her magic fish. Worshipers pray to the statue
every year, thanking Kum-Choi for her heroic rescue
efforts. Although readers run the risk of thinking
that this is a true Hong Kong folk legend, it is meant
only as a fairy tale.
The language in this book, while over-descriptive
at times, has striking images that conjure up the
beauty of life on the sea:
Hundreds of fish flapped across the teakwood
deck of her father's trawler like brightly-colored
leaves in an autumn wind.
Tomaz Mok's illustrations are equally arresting.
Reminiscent of Japanese wood block style prints, they
come alive with vivid colors that match the text:
In her mind's eye she could see... the snowy-white
nets of the drift netting junks; and she would remember
the fishing vessel's beautiful butterfly-wing sails
in russet, indigo and brown.
The real beauty of this book is that it gives a
long-overdue alternative to Western fairy tales.
Why should all heroines have blonde hair, blue eyes
and aspire to wear ball gowns and marry princes?
Why can't a heroine be the daughter of a Hong Kong
fishing family, whose dream is to live at sea?
When Asian children read about the people and places
around them, it validates their own reality, hopes,
fears and concerns. Yet this is by no means an exclusively
Asian book. Its themes appeal to children of all backgrounds:
changes in family life, acceptance from a new group
of peers, social class differences, and the need for
friendship.
While the past few years have seen an expanding list
of Asian multi-cultural picture books for young readers
(4 - 6) and middle grade readers (10 - 13), there
is little available for the 6-10 year range. The
Boat Girl and the Magic Fish, while longer
than an average picture book (approximately 2,500
words), can be enjoyed either as a parent-read book
for 6 through 8-year olds, or as a self-read book
for a slightly older audience. This book is long overdue,
and it is hoped that more in this genre will follow.
Roseanne Thong
01 March 2003
Roseanne
Thong is author of Red is Dragon and Round
is a Mooncake, multicultural picture books featuring
Asian culture. She has also written numerous short
stories and works of non-fiction. She divides her
time between Hong Kong and Los Angeles.
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